| Dai Xiaohua and Dora are well-known Malaysian women writers,their creation not only spread between the Malaysian Chinese,but also have a certain impact in mainland China,Taiwan and the rest of the world.They have written the modern Malaysian life and spiritual existence,in the traditional cultural identity to ease the multi-ethnic state in the identity crisis and marginal anxiety.Traditional culture to give them a sense of beauty and spiritual strength,throughout their creation has always been.This paper discusses the cultural identity of the two writers,with their prose and novel as the main research object,to explore Dai Xiaohua and Dora works in the Chinese cultural implication,and the Malaysian Chinese culture in the identification of self-existence value,Living in a multi-ethnic state of the plight of survival.The first chapter,combined with the historical background,explores the cultural consciousness of Dai Xiaohua and Dora.This paper mainly discusses the following two aspects: First,combining with the history of Chinese immigrants and the history of Chinese education,arguing the background of the emergence and development of MCA literature;Dai Xiaohua and Dora choose Chinese culture is a cultural consciousness,The need for national identity and emotional catharsis.Second,in the face of the dilemma of reality,they inherited the wisdom of the unity of man and nature in Chinese culture,and gained spiritual freedom in nature.Dai Xiaohua and Dora also advocated the self-cultivation of women and raised themselves through the spiritual realm of self-improvement National nation’s challenge.In the second chapter,through the combing of the blood and folk part of Dai Xiaohua and Dora ’s works,it discusses how the traditional cultural factors are embodied in the family and festive life of Malaysian Chinese.This chapter is divided into two parts: First,Dai Xiaohua and Dora’s works reflect the blood of the Malaysian family and the relationship between the family,agree with the traditional culture of the blood of the fetters to consolidate the Chinese nation in the multi-ethnic state.Second,Dai Xiaohua and Dora works to show the traditional Chinese festivals and religious beliefs.The customs and religions with Chinese cultural characteristics are the mostnotable features of the Chinese ethnic groups that are different from those of other Malaysian ethnic groups.Chapter 3,Dai Xiaohua and Dora’s home country identity.In the location of the joints,where they are home to start a question.This chapter is divided into two parts:first,Dai Xiaohua and Dora in Malaysia,the reality of the unhappy let them build the imagination of the original township.Imagine the original village culture refers more to the original village,there is a clear source of culture,spirit has in mind to ease the suffering of the location of ethnic Chinese spirit;Dai Xiaohua and Dora’s works while writing the original back when the real Township former township classical no longer imagine the former township to collapse and reconstruction of the entire process.Second,the Chinese have the strength of self-improvement,with the quality of life,in the struggle for many years in Malaysia,rooted in the land,recognized the country as the home country,Dai Xiaohua and Dora love their home country and produced a mixed family awareness.The fourth chapter discusses the infiltration of Chinese culture,Dai Xiaohua and Dora in the society concerned to achieve their own moral choice.Mainly from two aspects: First,Dai Xiaohua and Dora’s creation embodies the Confucian culture of "benevolence" principle,both care for vulnerable groups,but also has great love for all mankind.Second,Dai Xiaohua and Dora consciously safeguard the overall interests,both concerned about the history and survival of the nation’s status,but also on the country’s development and multi-ethnic harmony to assume responsibility.Agree with the Chinese culture,and effectively help Dai Xiaohua and Dora engaged in multi-ethnic society,social responsibility,to achieve self-life value. |