| Human belief god ghost is has already a long time,and believe in the deity of confused due to the vast land of China.Usually some scholars in our country,these beliefs are unsystematic "fusion".Reason is the folk belief in worship of the god and ghost inland around the lack of unity and profound learning and understanding of the current academic circles to the folk culture also lack of enough attention and research,think this is lagging,ignorance of the dregs of traditional feudal culture and habits,but in the whole nation in the pantheon of people immersed in the excitement of the worship of the gods,even living in modern society,people can still escape to the gods to find spiritual solace,so when we are in the field of modern and thought to look at these,whether we think these rid of ritual for our current social culture brings impact on people’s thoughts or help.More important in these traditional folk folk culture of some pithy form of folk art studies,we should think about these after refinement of art history,whether can we engaged in the research of modern art,and learning to play an important inspiration and reference,this is the paper in jiangxi yudu silver to rid of ritual pit retort Zhao dance art form the starting point of the study.This article is based on the author for all silver to rid of ritual pit on the basis of field investigation,the practice of folk interview on the retort Zhao dance this dance folk art culture research,in the process of thesis writing and discussion,the author pays attention to for all silver pit rid of ritual culture information system of collecting,sorting,analysis,trying to retort to the rid of ritual Zhao dance art form,the cultural environment,contains cultural connotation,the analysis and research of the morphological characteristics,focus on each style,to retort Zhao dance,art form,the historical evolvement of the cultural connotation of the profound and thorough understanding and the understanding,and finally reveal the retort Zhao dance this kind of folk art in particular folk art in time and space and regional characteristics and retort Zhao dance behind contain deeper cultural value and artistic features.This thesis mainly consists of the several parts they are introduction,three chapters and conclusion,in the beginning of the introduction part mainly explains the research significance of this paper,the research status and research methods in this paper.In the first chapter of the paper the author discusses the yudu silver pit rid of ritual culture space.The second chapter focuses on the field investigation on-the-spot report,this chapter mainly includes record yudu silver pit the whole process rid of ritual and ceremony a detailed analysis of the structure of the relationship.In the third chapter is the focus of this article,on the steamer Zhao dancing props,costumes,formation and movement,the form,on the basis of the interpretation of culture,mainly includes the retort Zhao dance form the cultural formation and development of motivation and cultural evolution. |