| The female has been an important describing objects in Chinese painting,and in successive dynasties paintings appeared many females in figural works,the female image varies with the era of aesthetic taste and social status of women.At the same time in the works of artistic,the images of women changed implied artist orientation and aesthetic appeal,the female image in the Six Dynasties period pursues the delicate and pretty,the five generation with rich gorgeous beauty.The Song Dynasty stresses exquisite beautiful and dignified,and delicate beautiful standard for the Ming and Qing dynasties.Figure painting developed into the Republic of China,and then the whole fell into a depression,only a small number of painters carried out active artistic exploration.After the new China was established,and with the improvement of female social status,the new female image of enterprising spirit has become the mainstream depicted in the fine brushwork figures.To the "Cultural Revolution" period,only the image of positive women labels will be shaped in the works.In twentieth Century 80 s,With the reform and opening to the outside world,great changes have taken place in the political and economic situation of the society,and along with social progress,fine brushwork figure painting is also developing rapidly.This thesis selected award-winning works in the eleventh,Twelfth National Art Exhibition as an example to analyze the characteristics of female images in contemporary fine brushwork figures.The Urben theme in the works has become the mainstream in the nearly two National Art Exhibition,and Ethnic minority themes,military themes and rural subjects are also innovative.The female images in various subjects show obvious individual characteristics.At the same time,all kinds of painting language based on inheriting the traditional painting method Chinese on eclectic,enriches the artistic,the female images in the works of contemporary Chinese characters showing a diversified development trend. |