The Playing Analysis Of The ? And ? Preludes Of Frank Martin's “Eight Piano Prelude”

This work is one of the two piano works created by Frank Martin in his life,it is also a classic work which is created when he was forming his own mature and unique style.Although he drew lessons from Schoenberg's Twelve-Tone Technique,which sounded perverse,but meanwhile he developed music by using sequence and push of the rhythm,so that players can understand more clearly of the image and emotion of the music,which has become a unique symbol of his creation.The work is a prelude genre.Piano Prelude is a genre which has an early generation,rich implication and a kind of tenacious vitality,its refinement structure can obviously reflect the internal characteristics of the music.There are still many composers are creating piano prelude from the time of its birth to the present.This genre's enduring vitality is relatively rare in so many music genres.Therefore,these all reflect the theoretical value of Frank Martin's work.From the aspect of performance,by understanding the composer's creative background and techniques,we can clearly identify the content that composers want to show and make the recreation as reasonable as possible.Although we should play our own characteristics and should not blindly copy the works from others,but our own work should have a reasonable theoretical support.From the I and IV Preludes,we can see that the work reflects Frank Martin's learning and saluting for Bach.He uses different creative techniques to adapt and innovate.The author will also analyze and understand deeply through the development of the theme,and solve the unintelligible emotional expression brought by personality acoustics.The work is short,but the performance of technical difficulty is relatively concentrated,this paper mainly talks through practice,corresponding theory and the analysis of all the details of performance,to achieve the combination of theory and practice,so that we can perform deeply and complete the work.In the piano learning career,we seldom or even afraid to touch modern music works because of its extremely personalities and difficult harmonies.The author aims to study various aspects of the work,except from theoretical learning but more from the feelings of music,to experience the charm of modern music from multiple aspects,and hope to make up all the blind spots during the journey of studying modern piano works.