Narrative Research On Cheng Er’s Film Works

In the continuous commercial film,Cheng Er is a special existence.He has been don’t want to compromise,do our best to find a balance between business demands and personal style,this is his consistent creation concept and artistic pursuit.Movie narrative theories,this thesis used to Cheng Er three films 《Unfinished Girl》、《Lethal Hostage》、《The Wasted Times》for examples,the narrative art of Cheng Er movie review and summarize systematically,shots and meaning to his work in the thorough research,analyzes the Cheng Er unique personal narrative style,and his films to attract audience’s characteristics,points out some shortcomings in his film,the conclusion part summarizes the meaning and value of his movie narrative art.This thesis is divided into five parts: the first part mainly analyzes and summarizes the research background and research summary of this paper.Point out that commercial film has become a trend,and Cheng Er become heterogeneous under this trend.In today’s film market,he seems so maverick.The second part studies Cheng Er’s first film 《Unfinished Girl》,which reveals the complex psychological state of modern urbanites by telling the ordinary people’s ordinary life.Although the script is still not polished,but the film’s unconventional shooting skills and narrative techniques or let a person shine at the moment.The third part is the analysis and research of《Lethal Hostage》.Compared with 《Unfinished Girl》,the film has made great progress.The film’s solid script,intricate space-time construction,chapter of the story structure has left a deep impression on the audience,but also the Cheng Er from behind the scenes into the public view.The fourth part analyzes Cheng Er’s 《The Wasted Times》,which causes audience’s discussion and evaluation on the film’s two-level development,but it has its progressive significance.The fifth part analyzes the characteristics and shortcomings of Cheng Er’s film narrative style.This thesis has a deeper understanding and understanding of the narrative characteristics and shortcomings of Cheng Er’s three films through in-depth sorting and analysis of their narrative techniques.Finally,the conclusion is drawn that Cheng Er’s films are not perfect in narration,but his breakthrough spirit and innovation consciousness will accompany him to go further along the road of film.