Analysis And Research On The Indigenization Of Music In Christianity In Late Ming Dynasty And Early Qing Dynasty

The late Ming and early Qing dynasty is a special history period,and the two dynasties will inevitably bring new opportunities to the development of society.During this period,the commodity economy was extraordinarily active,and the sprout of capitalism took root.With the prosperity of national power and the prosperity of economy,the music activities of the Ming and Qing dynasties were also extremely active,both at the court and in the folk,and the traditional music art was developed unprecedently.In terms of music communication,the activities of western missionaries gradually came into view in the Ming and Qing dynasties,except for the communication with north Korea,Japan,western Asia and southeast Asian countries.This is a group of religious believers in the west,but unexpectedly to European culture infiltration into the soil of China,thanks to frequent religious activities,western music in this period are also introduced to the central plains region,and spread to the palace and folk.In this communication process,both the western Musical Instruments,theories and performances have been in some degree colliding with the traditional Chinese music culture.Western music is also under the medium of religion,in the years after the fusion with traditional Chinese culture,and the localization of Christian music this compelling historical phenomenon.This article will be to the Christian music experience for the development of localization in China make a comprehensive study,based on the existing in the development of Christian ritual music condition were observed and described,thus to Christian localization,by tracing the history of the ritual music and make a think and contrast,to achieve a thorough understanding of western religious ritual music culture rich content and the significance of the result of the development of Chinese music.