Exploring The Evolution Of The Method Of Landscape Painting In The Song And Yuan Dynasties

The painting of the landscape painting is divided into two major schools-the axe divides is chapped and the technique of wrinkling,in the development of landscape painting,the two on-e or a decline,mutual replacement.The origin and peak of the two methods are also Song an d Yuan Dynasties,so this article focuses on the rise and development of the two from the Song a nd Yuan Dynasties,the development and its inheret independent aesthetic value.From the wide "Creek travel map" in the "raindrops crack" to Guo Xi "early spring map" in the "Cirrus Crack",a nd then to Li Tang "Wanhe Songfeng map" of the "small ax crack",The completion of the crac k method point,line,surface of a transition,but also the development and perfection of the la w;Huang Gongwang’s " Dwelling in the Fuchun Mountains" mainly used in the Long Pimiao Cracked,freehand strong,the main division Zhao Mengfu,its thinking And the theory is affecte d by it,Zhao Mengfu’s thought is also "respected ancient meaning" "to book into the painting",i n the painting is straight ahead of the Song Dynasty.The main ideological trend of the Song Dyn asty is science,more from the nature of the viewfinder,the main school of the Yuan Dynasty fo r the Taoist,advocating the heart-based,express the hearts of extravagance.From the tour can b e settled to lyrical freehand,in the expression of the pen and ink,one side of the direct expressio n of emotion,one of the introverted,one side of the real mountain scenery in front of us,one sid e of the lyrical mountains in a thousand miles away,one side of the side lush,Among them,the t wo are different,mixed,are worth learning from us.The Song and Yuan Dynasties period is th e golden age of the development of Chinese landscape painting.The performance of the paintin g and painting is perfect,and this paper focuses on the study of the painting and painting of Son g and Yuan Dynasties.