An Analysis Of The Aesthetic Significance Of The Charm Image Of "Strange Tales From A Lonely Studio"

Charm image is the supernatural beings in the Chinese traditional culture, from the beginning of the pre-Qin period to the two Han period gradually mature. After a long period of time, charm image has been mysterious, weird image of the existence of fierce things, and bring disaster to people. But when Pu Songling to create Strange Tales from a Chinese Studio, he brought together a lot of charm image. Charm image continued the mysterious characteristics of the previous, but in the shape, character and relationship with the world and other aspects of the subversive changes occurred. I use the taxonomy to organize the image of the charm, first explore the development process of charm image, and then explore its survival condition. From the perspective of esthetics,combined with aesthetic survival experience of zhuangzi 'materialization' and the 'hedonic'survival aesthetics of the liezi. Explore its unique existence. Finally, further explore the aesthetic significance of charm image.In short, Pu Songling borrow the charm image expressing anger over the world is not beautiful live, also charm the image of a new life. He make them well close to the people, have true love with people return, symbiosis with content and the accession of love, also have the miraculous, detached was born. As holderlin said"people full of merits and accomplishments, but also on the earth poetically. " In the world of good and evil, Pu Songling deeply understand the hardships of life to the destruction of life, because it makes the image of the charm to express the ideal of deep inner life. This kind of survival belongs to Pu Songling, belong to the charm of the image, belong to everyone, charm in the heart, the beauty of the state of life will not be far away.