Research On The Form And Development Of "Southern Yi People's Songs" In Yunnan

Nanjian Yi nationality Dage(black yi is called as “go-|bi-|”,while white yi is named as “ra-|kia-|”)is the dance culture with typical style and long-standing history in Yi nationality.Such a unique dance form in Nanjing is a flourishing magnificent miracle in Yi villages.In the broad world of numerous folk arts,it decorates Yi nationality life in this land by virtue of special colors and full-bodied fragrance.In the endless historical development,it isn’t declined,but emits radiant sparkles after being edified for thousands of years,symbolizing prosperity of Yi nationality and expressing the spirit of Yi nationality.It is also considered as the historical cultural product of Yi nationality.With the sociocultural transition of Nanjian County,Yi nationality Dage jumps out of the folk Dage field for amusement and emotional communication.After extracting and systemizing knowledge systemization in Chinese Folk Dance Integration of the 1980 s and embellishment of “two-old-people artists” and professional folk art workers,it has been combined with Nanjian dieting enjoyment culture—“Tiaocai” to make it present in the new cultural form.Under the guide of the national government and professional cultural workers,Nanjian Dage is “dissociated from” the traditional Dage field to integrate with the dance performance.In the process of national traditional cultural capitalization,it realizes the transformation of cultural functions by virtue of the self-development conforming to cultural requirements of modern society.During the changing process,it contains the transformation from“unrestrained(spontaneous and blind)culture to “conscientious(conscious)culture”.This paper considered Nanjing Yi nationality Dage as a research object.On the basis of investigating Nanjing Yi traditional Dage,the author systemized the morphological development history of Nanjian Dage and finally analyzed the causes for development changes.The first part of the paper described the traditional form of Nanjian Dage,conducted the national analysis for style features for Nanjian Dage based on it and also introduced the activity type of Nanjian traditional Dage.The second part carried out synchronic analysis on Nanjian Dage from the longitudinal perspective,explored from the“integration” in the 1980 s,performance in the stage from “Sanyue Street”,the integration between Dage form and Tiaocai Form,and finally to the representative of “Sandaowan”.Then,this part analyzed the important nodeand process of Nanjian Dage’s morphological development.The third part showed that in the process of morphological development changes,Nanjian Dage is changed from unrestrained culture to conscientious culture.This is the evitable development from occasional development to self requirements,then gradually tends to develop from minor tradition to major tradition,and finally feeds the folk to be accepted by the folk.In the end,the author drew a conclusion that under the socialcultural development,the traditional dance art from the folk has the gradually development process from “unrestrained”culture to “conscientious” culture,but it actually means that traditional folk culture hopes to follow up with the “ internal demands ” and“ self-examination ” in the era development.In the “ conscientious ”development process,the precondition of accepting “regurgitation-feeding”is to respect and insist in the nationality and regionalism of traditional folk culture.