| Dunhuang murals are one of the most brilliant chapters in the history of Chinese art.The rich cultural connotations of Dunhuang murals profoundly inspire the later generations of artistic creation.The flying images of Dunhuang,after being introduced into China from India,A long time of integration and development,and gradually form the flying image of people dancing in the eyes of people today;and the Tang Dynasty Flying Ribbon styling smooth and smooth is its most prominent representative.It not only dyed the spiritual connotation of the traditional Chinese aesthetic art,but also demonstrated the essence of the Chinese nation’s modeling arts and provided an inexhaustible source of modeling and creativity for the design and modeling of modern art.The filigree inlay process is a fine category in the gold and silver craft.As a traditional Chinese royal craft,it has rich national features.Its delicate,exquisite,gorgeous ancient craftsmanship represents the pinnacle of traditional craftsmanship.Regrettably,this fantastic traditional filigree craft has now appeared a phenomenon of stagnation,and if it is to be inherited and developed in modern society,it is necessary for us to get rid of the materialized appearance of the traditional craft and enter the deep Spiritual areas to find a way out.The contemporary jewelry creation provides the social foundation to be grafted.Under the background of today’s era of individual release and the diversification of contemporary art,the tradition of being complicated and complicated by beauty is facing a tremendous impact on the aesthetic simplicity of contemporary fashion.Explore the possibilities and methods of designing the modern morphological design of the traditional filigree jewelry,rooted in the bearing of history,into the new design style,new forms of expression,combined with the contemporary aesthetic needs and spiritual needs,make the old craft of filigree again in contemporary jewelry Bright and brilliant design of the bloom,it is particularly important and urgent.In this paper,the performance characteristics and design concept of flying ribbons in Tang Dynasty are analyzed.Combining with the development status of filament technology,the two are fused and innovated in the design and practice of contemporary jewelry.With the aesthetic ideas of the new era,the paper explores the traditional Chinese filament technology in contemporary jewelry design Inheritance and innovation. |