Symphony Music Is A Tone Colour Orchestration On The Electronic Organ

Electronic organ is a combination of modern science and technology and art,is a new modern and futuristic musical instruments coexist,it can be played in different bands and style effect of various types of music,therefore,in the electronic organ for sound allocation is very important,but in different types of electronic organ sound on the allocation also need to make appropriate adjustments according to the types and characteristics of piano.On many occasions,it is also very important to make the tone colour orchestration between different types of electronic pipe organs.The timbre of the electronic organ allocation and performance is actually a complementary relationship,in the playing process,due to the strong compilation of the band,multilateral diversification and musical instruments,but also produced a variety of requirements in performance so it is necessary to study various instruments sound principle,playing method and actual sound,in order to when playing a different tone,the actual musical vividly manifested and allocation.From the electronic pipe organ sound allocation on the classification,can be divided into:the allocation of strings,the allocation of brass tone,tone colour and orchestration allocation woodwind percussion sound.In this paper,I will take YAMAHA EL900m and RingWayRS1000E two different models of electronic organ as an example,and elaborate my own research,understanding and experience of tone colour allocation and tone colour conversion.In the tone colour orchestration in the first place is still playing,playing the characteristics of general characteristics but also determines the allocation of the timbre,followed by the first and second tone auditory auditory editing and data adjustment,finally has a very important effect is the effect which is unique to the electronic organ then,to make good use of this feature,which makes their allocated sound more pleasant.The application of the effector needs to adjust the timbre in the order of "overall effect" and "concrete effect" sequentially.Finally,we need to decide whether we need to use the external effector according to the needs of the orchestral music.