The Study Of David Fincher's Film Art In The Perspective Of Psychoanalysis

Psychoanalysis was first proposed by Sigmund Freud,a psychologist in A ustria.His "personality structure" and " sexual instinct","dream work","psycho logical defense mechanism" and "unconscious" theory,in the middle of 1920 s was used to demonstrate expression characteristics of the film is that emotional self,is repressed desire in reality into fantasy in the image.In the late 60 s,psychoanalytic Jacques Lacan based on structural linguistics and combined with Freud's psychoanalysis further modified and supplemented the whole psychoanalysis system.The symbolism,imagination and reality,the name of father,especially the theory of mirror,have all become the important theoretical basis of the western modern theoretical research films.Hollywood director David Fincher is regarded as a "movie genius",the film is often filled with violence,horror,grotesque elements,in the performance of the film itself but also the reality and weakness of humanity open to the audience in the society,in order to give people a sense of lasting trauma.David Fincher expresses the distortion of the society by explaining the deep dark side of human nature and exclamations of the sadness of individual life.Unlike other traditional story directors,they not only pursue the actors' exquisite acting skills and the attraction of stories,but also attach importance to the film's deep philosophical meaning and psychological significance when they are familiar with the shooting and scheduling of scenes.From the perspective of psychoanalysis,Freud's psychoanalysis and Jacques Lacan's "mirror theory" as the theoretical basis,philosophical connotation of a more profound study of David Fincher's works and its unique image expression of David Fincher movie the spirit of aesthetic implication from analysis.This paper is divided into four parts: the first part of the spirit of Freud and Jacques Lacan's "mirror theory" analysis to sort out,and at the same time the expression of David Fincher's film works to make summary and analysis the overall connotation;the second part of Freud's psychoanalytic theory,text interpretation and analysis of David Fincher's films;the third part from Jacques Lacan's "mirror theory" of expression analysis of David Fincher image analysis;the fourth part describes the David Fincher works to the aesthetic connotation of the viewing subject from viewing pleasure and implication.