The Influence Of Reform And Opening On "The Xu And Jiang System"

Looking back at the historical process of Chinese figure painting at the beginning of the 20 th century,although the trend of thought is prosperous and numerous,but it is really influential in the road of painting and artistic practice,it should be recommended that the formation of the west of China and the combination of Chinese and Western west formed by Xu Beihong and Jiang Zhaohe.They use traditional Chinese paintings as their ink and ink language to absorb and draw upon Western classical realistic painting styles and artistic techniques.They eventually form ink paintings with characteristics such as object shape,life style,and vivid image.Concerned about social reality,depicting the inner feelings of objective objects,artistic works expressing the artist’s aesthetic perception and emotional experience are all realistic figures.The realistic characteristics of “the Xu and Jiang system” attracted no mathematics to follow.This system adheres to the painting concept of life and art.It combines the brushstrokes in the landscape with the sketches of the West and explores the road of painting that pays attention to reality.And thus occupy the mainstream of art.After the reform and opening up in the late 1970 s and early 1980 s,Western modern art was introduced into China,and “the Xu and Jiang system” realism ink painting began to seek new forms of expression.In the context of realistic modeling,it began to pursue the formal language of paintings and inks,and constantly adjusted,mutated,and exerted in the development process,forming a brand-new painting style and appearance.Under the influence of Western modern art,“the Xu and Jiang” system realistic figures and painters actively integrate with the times and try to continuously perform ink painting composition,techniques and production,and collages.Based on tradition,exploring the expression of new ink language and formal languages,“the Xu and Jiang system” has a broader space for development during the period of reform and opening up.Realist artists show a new look of the real world during this period,using pen and ink to express their inner feelings.The artist’s unique artistic perspective and aesthetic experience show different styles of artistic works,showing an art scene in which hundreds of flowers and hundreds of schools contend..The first part of this thesis mainly starts from the tradition,tells the origin of Chinese figure painting and the formation of “the Xu and Jiang system”.The second part focuses on the development and evolution of “the Xu Jiang System” in terms of painting subjects,modeling characteristics,and ink andbrush language under the influence of the “85 New Art Trend” and the pen and ink debate after the reform and opening up.Analysis of the painting style and artistic features of“ the Xu and Jiang system”.The third part with specific artists to elaborate on “the Xu and Jiang system” four artists,has been studied in experiments with painting styles of the period after the reform and opening up and change the form of the language,the artists personal language makes realism ink figure showing a diverse style.The fourth part is the analysis of “the Xu and Jiang system” in the future development trend of the development process of painting and painting language content.