Leaving Blank In Chinese Choir Works

It is a kind of artistic creation technique,which is used in Chinese traditional art works,with distinctive Chinese aesthetic features.This word first appeared in the works of painting and calligraphy.The purpose of this word is to make the pictures and rules of the whole work more consistent and unanimous and leave the corresponding blank.The earliest music in the "blank" theory is from the "Lao Tzu"-"the great form is beyond shape,great music has the faintest notes," which will be used in the original traditional calligraphy and painting creation techniques into music to.Chinese and western music began to influence each other in modern times,and Western composers gradually integrated more Oriental elements into their own music creation.China has also begun to try the Western multi-vocal music art form.Musicians from East and West still keep their own style while learning from each other.When composers try to write chorus,Chinese composers also use Chinese creative techniques as much as possible.The painting in the creation of the white space is deliberately left to leave a blank space so that the viewer can lead to more Association.Chinese composers are also adhering to this concept of creation,leaving some gaps in their own music creation,allowing listeners to have more time to think independently when they appreciate music.These blanks also allow the audience to add their own understanding and understanding to the aesthetic process of music,and create a "white" effect on the understanding of music.Harmony construction is a new attempt for the traditional Chinese music theory.It simply transfers the Western multi born music theory to its own music creation,or integrates two very different theoretical systems.Musicians of wisdom choose to build an acoustic system that is consistent with China’s own aesthetic standards,and try to add the concept of "blank" in multi part music creation.After fully understanding the connotation of the works,we can control the music elements--YISHION’s eight degree music chords for external manifestations,and the contrast of volume and timbre,so as to achieve the combination of music and picture sense.The skillful use of this longitudinal structure saves the material demand for the development of horizontal music,and the experience of synaesthesia has achieved the effect of "1+1>2".