| "Blank-leaving" is a unique composition of Chinese painting methods and techniques,is the painter can’t intentionally ink set aside part of the space,it through the composition composition design in advance,in black and white,between virtual and real contrast to take visitors to experience the author’s creation intention and emotional needs.This is based on the creative expression,artistic imagination has a great compatibility,leave blank development from formally blank expression is reserved to thought,reveals its unique artistic charm.Nowadays,with the diversified development of the art language,art change to aggravate,traditional Chinese painting in the performance form in the multi-dimensional development,and on "Blank-leaving" to research and apply,for today’s artistic creation still has a positive role in promoting.The purpose of this paper is to base on Chinese painting blank-leaving,by accepting aesthetic study of blank-leaving,deep understanding to the blank-leaving in the aesthetic acceptance and the important role of artistic creation,make the traditional Chinese painting under the background of the era of sweeping change to be able to send out alive with vitality.This paper will comprehensively and deeply re-understand the artistic connotation and aesthetic value of Chinese painting’s blank-leaving,and try to start from the artistic connotation of Chinese traditional painting,and sort out its ideological origin and historical development process.Then,it analyzes the aesthetic interface between Chinese painting’s blank-leaving and the aesthetics of reception aesthetics,and points out the rationality and feasibility of using the perspective of reception aesthetics to analyze blank-leaving.Then around calling structure and looking forward to view related theory of reception aesthetics to specific studies of Chinese painting blank-leaving,the final fusion oneself the experience in the practice is created,discussed blank-leaving in art value and realistic significance in traditional Chinese painting creation,in order to better promote the development of Chinese painting. |