The Study Of Selected Type Formularies Of Arias In The Late Ming Dynasty

During the late Ming period,there appeared three kinds of selected type formularies of arias,Nanyin San-lai,Taixia New Ensemble and Wu Sao’s compilation.These three kinds of selected type formularies of arias were compiled by the literati,used for literary appreciation as well as aria singing of literary works.In addition,each score has a revised law of the commentary language,which makes both the law spectrum function.Starting from this,this thesis is based on the three selected type of formularies of arias from the selection of ontology.Based on the quantity and time distribution of the three selections,this paper discusses the characteristics of the three selections from a microscopic perspective in terms of their normative rules and selection theories,and then grasps the significance of the three selections from a macro perspective,so as to realize a more comprehensive and in-depth study on the three kinds of selected type formularies of arias.The first chapter is the study of the style of compilation.Taking these three kinds of selected type formularies of arias as the objects of investigation,this paper examines the characteristics of these three kinds of anthologies in style selection through comparison with other contemporary genres and anthologies,and analyzes their selection in literature.The three functions of the rhythm spectrum of the opera,the score of the degree of singing,and the regional characteristics of the three kinds of anthology are investigated from the geographical distribution.The common causes behind the regional features of the three selected patterns are discussed.The second chapter is focusing on the number and age distribution selected in these three kinds of selected type formularies of arias,and discussing the characteristics of the selected works in the time and region.And through the three kinds of selections in the selected music theme and theme analysis,found that although the selected tracks are from different times,but most of them pay attention to the beauty of form and style.At last,the causes of this situation are explored.The third chapter is focusing on the study of the norms of the three types of the selected patterns to the rubric of the body.Respectively,from the three angles of view:the norms of the rules,the norms of rhyme of the southern qu,the correction and sets of songs,and the characteristics of the rules of the canonical body are comprehensively investigated.The fourth chapter is the selection of the theoretical research.On the basis of fully affirming the literary status of these three kinds of texts,this paper designed to deep into the theory from such aspects as the style of creation of the lyric literature and the guidance of the aria singing.Then analyzes the construction of the third grade of Nanyin San-lai from the point of view of literary criticism.Then analyzes the role it plays in the process of constructing the critical system of the prose writers Wu Jiang School and their proses,and analyzes the projection of the literary trend of thought in the late Ming Dynasty on the level of Sanqu from the word "xin qu" in Wu Sao’s compilation.The fifth chapter is about the significance of three kinds of selected type formularies of arias from the aspects of stylistic style,corpus and literature respectively.From the stylistic point of view,these three kinds of anthologies signify that Sanqu literature tends to decline in the late Ming dynasty.From the perspective of the form,these three anthologies play the role of standardizing the law,rhyme,and conjunctions.From the literature point of view,they provide a function of cross-section,preservation of literature,literary theory,and the writer’s life and the information of friends and movements.