Bach's ?The Third British Suite In G Minor?study And Interpretation Of Decorative Notes

John Sebastian Bach,later known as "Father of Western Music",is one of the great composers of the Baroque period.His music represents the supreme achievement of the Baroque musical art and is a development of Western musical art.Made a huge contribution.The ancient piano is an important area of Bach's creation,and his composition set the genre of the ancient piano to the top.The composition of "The Third British Suite in g minor" is exquisite in composition and rich in artistic conception.The various forms of decorative sounds that appear in the set are even more important in the Baroque musical period.The decorative sound is an important part of the Baroque musical works.In piano performance,decorative sound is a very important expression.Its use in musical works makes music full of “ornate” style and studies the correct sound of decorative sounds.The method,and the correct training methods and playing good decorative sounds are the basic conditions for the performance of piano works.It should be a problem that every piano scholar should pay attention to.To study the decorative sounds,we should understand the development of the baroque decorative sounds.Since the Bach period did not mark how to perform,only the decorative tone marks and how to play the decorated decorative sounds are important elements for the study and performance of Bach.Due to the aesthetic differences of composers in different periods,there are some disputes about the performance of Bach's decorative sounds,and these different arguments cause confusion to piano musicians' playing of decorative sounds.This article studies the development of decorative tones and baroque decorative tones in the third British Suite in g minor,the common marking patterns and playing methods of decorative notes in scores,the keyboard styles and instrumental characteristics of the Baroque period.Conducting a comparative analysis and personal description of touch keys,pedals,and vocal part levels during performances,hoping to provide piano scholars with a better understanding of Bach's creative features,musical connotations,and playing styles of ancient group music.Reference comments.