Writing Research On The History Of New Literature In The 1940s

The history of new literature in the 1940s is a key link in the traditional interpretation of modern literature.During this period,the literary concept of class theory and the historical pattern of“social criticism”became more and more mainstream at the front desk,which had a far-reaching impact on the writing of late new literary history and the establishment of the discipline of modern Chinese literature history.This article focuses on Li Helin's“Twenty Years of China's Trend of Thought in Literature and Art”,and explores the construction of new literary history by different historians during this period.In concrete analysis and research,the focus is on supporting the literary history and historical methods that support the study of literary history.It seeks to explore the academic traditions of the new literary historians in the 1940s and their enlightenment on the basis of understanding the historical context.The paper is divided into four chapters.The first chapter discusses the overall appearance of the writing of new literary history in the 1940s.After reviewing the history of the development of new literary history in the 1920s and 1930s,it traced the evolution of the concept of“new literature history”and set up a section outside the track to show the historical background and the history of the history of new literature,the significance of the 40s was highlighted.The second chapter discusses the construction of class literary history in the history of new literature in the 1940s.Based on the process of the establishment of traceability class literary ideas in China.Li Helin's“Twenty Years of China's Trend of Thought in Literature and Art”is centered,and the construction and development of the concept of class literary history of new literature in the 1940s is discussed.The Evolution of class Literature in the 1940s is discussed.The Evolution of class Literary History View in the 50s and 70s Analyzes its influence.The third chapter focuses on the way and characteristics of the history of new literature in the1940s.According to Kuhn's“paradigm”concept and Tao Dongfeng's and Wen panya's literary history model theory,he sums up the history and thinking patterns based on Li Helin's“Twenty Years of China's Trend of Thought in Literature and Art”and explores it.At the same time,the history of other new literary writings has similarities and differences.Chapter IV is devoted to the study of the scholarly traditions of the new literary historians of the Marxist school represented by Li Helin in the 1940s.After summing up the path of scholarship and scholarship style of the Marxist School of New Literature literary historians represented by Li Helin in the forties of the 40^th century,he explored how his personal cultural identity,value judgment,and political ideology were related and infiltrated into the writing of new literary history.It also reflects on the gains and losses of the writing of new literary history in the 40s.