Research On The Spatial Representation Of Contemporary Domestic Realistic Theme Films

The relationship between reality and film itself has always been a complex and delicate knowledge.It can neither be completely reproduced,nor can it fabricate "typical" and "special cases" according to subjective graphics,nor can it willingly replace the public’s understanding of reality by splicing realistic fragments from the author’s personal and private perspective.Especially in the current highly market-oriented and industrialized environment of domestic realistic film creation,the production mode of specialization and industrialization of film creation process is rising day by day.Apart from the share of imported films,mature works with higher and higher commercialization degree,such as native type films,comedy films,science fiction films,are constantly squeezing the potential domestic reality movies which original number has not been superior.As far as the current creative practice is concerned,the domestic realistic films,which are increasingly integrated with genre films and commercial styles,are facing the weakening and diminishing of the "realist spirit".Since 1970 s,the "spatial turn" of western academic perspectives has challenged the single belief in historicism in the research tradition: the layout of transverse social geographic space or the differences of physical geography also affect the way of civilization development of individuals and societies,and indicate their respective stages of development under different social conditions.From the perspective of spatial criticism,the field of academic concern has been transformed from the historical development process of social form to the real life itself: the conditions and layout of living environment,the social pressures felt by individuals are all related to the various elements of power relations and production relations hidden in the real social space.When this research perspective enters the film,it provides us with a possibility to understand how the current domestic realistic film reflects reality and expresses reality: the current realistic film through the social space environment and spatial relations shows the era of the society in the transition period has become a representation of reality,and the film’s reflection on reality and expression of views are no longer direct and profound,but the film’s reflection on reality and expression of views are no longer direct and profound.It is a way of "limited intervention" to achieve the neutralization and balance of its commercial attributes and social values.The thesis is divided into six parts: Firstly,in the introduction,it mainly clarifies the background and problems of the research,explains the current situation of related research at home and abroad,and defines the theoretical and practical significance of the research.In the five chapters of the main body of the article,the first part demarcates the main problems in the current development of domestic realistic films,combs the main categories and basic development context of space theory,and combines with the main context of film research,and summarizes the validity of space criticism in the analysis of the current domestic realistic film ideographic practice;the second part analyses the internal text.The third part focuses on the social implications of the spatial representation of the film,and the main goal is to continue the previous chapter and interpret the era and social and cultural connotations of the "transformed society" revealed in the text in the process of presentation and relay through image art.The fourth part starts with the interactive interpretation space formed between the text and the audience,and analyses the diluted value judgment of the domestic realistic theme movies with different themes,styles and types.The fifth part returns to the domestic realistic theme movies themselves and demonstrates that the realistic theme movies are represented by space from the three dimensions of the film’s ideographic function,artistic style and internal spirit."Limited intervention in reality" is an inevitable choice to balance their own commercial attributes and social values.