On The Treatment Of "Qi" And "Rhyme" In Zhu Jianer’s Prelude No.2 "Flowing Water"

"Qi" and "Rhyme" are two important aesthetic propositions in Chinese traditional aesthetics.They are extremely national and are also one of the important standards of Chinese music aesthetics.Chinese music works are endowed with "qi",and they are endless because of "rhyme".They not only play their own characteristics,but also integrate and integrate with each other.Zhu Jianer’s Prelude No.2 "Flowing Water" is based on the folk songs in Chinese traditional music.With the combination of Chinese and Western techniques,the sound color is more varied than the original folk songs.The expression of music is a kind of "virtual,static,light,and far" in the antique piano.It integrates the beauty of "qi" and "rhyme" in Chinese traditional aesthetic thought into all aspects of creation and performance,making it more in line with traditional Chinese aesthetic requirements.Based on his own experience of playing,this article combines the understanding of poetry,painting,calligraphy and other related disciplines,from the perspective of traditional Chinese aesthetics,on the "qi" and "rhyme" of Zhu Jianer’s Prelude No.2 "Flowing Water" A detailed and comprehensive study summary of the specific performance and aesthetic requirements.Through the exploration of "Qi" and "Rhyme" in Zhu Jianer’s Prelude No.2 "Flowing Water",I hope to help other performers in the interpretation of Zhu Jianer’s Prelude No.2 "Flowing Water" or other Chinese piano works.It is more in line with the aesthetic requirements of traditional Chinese music,and more accurately understands and grasps the essence of national music contained in the works.The article is divided into four parts.The first part is Zhu Jianer’s Prelude No.2 "Flowing Water".This section mainly introduces Zhu Jianer’s life,creative thoughts,piano creation and its characteristics,as well as the musical structure of the Prelude No.2 "Flowing Water",the musical characteristics of the melody,and the characteristics of creative techniques.The second part of the "qi" in traditional Chinese aesthetics is embodied in the Prelude No.2 "Flowing Water" performance.The second part is the expression of "Qi" in the performance of The Prelude No.2 "Flowing Water" in the performance of "Prelude II "Running Water".This part mainly expounds the meaning of "qi" in traditional Chinese aesthetics and interprets the penetration of "qi" in the works from four aspects.The third part of the "rhyme" in traditional Chinese aesthetics is reflected in the Prelude No.2 "Flowing Water" performance.This part points out the meaning of "rhyme" in Chinese traditional aesthetics.From the five concrete manifestations of "image,imaginary,scattered,empty and far",the "rhyme" contained in the works is analyzed one by one.The fourth part of the rhyme is one.This part consists of the relationship between "qi" and "rhyme",how to achieve the state of harmony and the aesthetic value of the work.