| Zhang Lu,a director of the Korean nationality,has had 12 works including short,fiction and nonfiction films,which are created from his own experiences.They present us different styles with passive and cold desperation and relaxation as well as complete enlightenment.Therefore,it is worthwhile to think deeply about the works’different trends and relevant changes in earlier and later stages.The thesis attempts to make a classification research on Zhang Lu’s films by focusing on living conditions of characters and the changes of cinematography style.Based on the features of characters’ (?)tma-gr(?)ha or Aprati(?)hita in the film,it carries out interpretation on their preferred artistic expression,background and causes of the changes.Part I is to summarize figure trends in the works of earlier stage as distraction shown with unconventional behaviors.(?)tma-gr(?)ha in Zhang Lu’s films of earlier stage mainly classifies the characters’ living conditions in the works of earlier stage and it is the expectation of identification and belongingness.In addition,it explores how the expectations present specifically in the films and how the characters’destination will eventually be.Part Ⅱ is to summarize the characteristics of works in later stage as the openness from depression to complete enlightenment.Aprati(?)hita of Zhang Lu’s films in later stage are mainly about how characters get to the state of Aprati(?)hita in films and eventually present the living conditions of reaching the rejection of all forms after their complete enlightenment.In addition,it explores how Aprati(?)hita present specifically with the films’ artistic styles and aesthetic qualities.Part III is about the reasons of background by focusing on the changes of the works’features.The changes from (?)tma-gr(?)ha to Aprati(?)hita and the openness from persistence to complete enlightenment make Zhang Lu’s works have typical features.Besides,they also provide more possibilities for narration of his future creation. |
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