| DanDang is a famous painter,who became a monk in the late Ming Dynasty.He has achieved great achievements in painting,calligraphy and poetry.He once wrote a poem,"sent to Zhu Xie and amuse": "a piece of praise for my poem,poetry is not all words.Play my book again,the book does not have ancient interesting all ink pig.Three pieces of praise I draw,painting for Wall mustard can not hang.Since the mistake did not have the test,why the three to tell me good.Although the author is self-deprecating in this poem,it also reflects the fact that he is proficient in poetry,calligraphy and painting.In this article,the author mainly discusses the artistic source of landscape paintingHe was born in Shuxiang family and had been educated in Confucian culture before he became a scholar.So his painting has a rich literary color.His artistic sources are inextricably linked to the literary paintings.Dongqichang Cenggeitang’s book of poems,"The Garden",is a preface to praise the talent of responsibility.As a teacher in Dongqichang,in landscape painting must be affected by Dong.Not only that,but because Dongqichang has collected many ancient paintings,he has also seen many outstanding works of former painters through Dong Qichang.They also influenced the formation of landscape painting.His hometown is in Yunnan,and his life’s activities are more in Yunnan.As a result,Yunnan’s unique geographical environment is certainly one of the sources of landscape painting.Add in the turmoil of the late Ming and early Qing dynasties to the historical background caused by the Han people’s internal shock.All of these are reflected in the work.The greatest influence on responsibility is Zen.There is a strong sense of Zen in the painting,so I think the landscape painting is more accurate called Zen landscape painting.The formation of landscape painting is not the cause of one or two aspects,but influenced by many aspects.Including literati,including the thoughts of the survivors,but the determining factor is Zen.Therefore,this article starts with the artistic thought and the style of painting by collating the relevant literature and materials to analyze the Zen landscape painting.This paper is divided into four chapters,the first chapter introduces the life and artistic achievements of the role,the second chapter discusses the role of the painting by the influenceof the writer,the third chapter discusses the role of the role of the painting and the environment,and the fourth chapter discusses the specific embodiment of the meaning in his painting.This paper focuses on the last three chapters,and proves that the formation of Zen-minded landscape painting is the result of the dominant factor of Zen. |