Research On The Fusion Of Changyu’s Chinese And Western Art

In 1921,Chang Yu,a young and old book,responded to Cai Yuanpei’s call for“work to study” and went to Paris,France to pursue his studies until he died.He only returned to China twice.Because of the stage and other factors of the development of Chinese oil painting at that time,the artist Chang Yu was at home once.Forgotten.However,when the global art influences each other today,when we objectively turn back to the artist Chang Yu,we can’t help but discover the openness of its artistic vision: an artist who will integrate Chinese and Western art into his own language,and one will Artists with traditional Chinese cultural awareness combined with Western modern art forms,an artist who in the early 20 th century in Paris used a unique oriental symbol to interpret modern Western culture,art and Chinese traditional culture and art.This article will be divided into five chapters,Chang Yu’s fusion of Chinese and Western arts.The first chapter mainly analyzes the initial influence of Changyu on the background of the construction of domestic and foreign artistic thoughts in the early20 th century from the perspective of the Enlightenment Movement of Chinese modern art,the artistic opinions of people from all walks of life in China,and the rapid dissemination of Western art concepts.The second chapter,analysis of Chang Yu’s works of art,analyzes the influence of the lines of stone and portraits in the works of Chang Yu’s works,and absorbs the traditional folk arts.It is inspired by Matisse et al.in the Montmartre district of Paris.Integrate East-West Art.Chapter 3,the uniqueness of Changyu’s art,is a unique artistic language and artistic thought transformed from its unique philosophical ideas and the Eastern artistic conception created by Eastern Lao Zhuang’s philosophical thinking and Western modern art forms.The fourth chapter,the formation and evolution of artistic style,contemporary scholars divided the artistic works of Changyu’s life into two periods,one for the pink period(1920-1940)and the other for the black period(1940-1966).Conversion process.Chapter V,from the inspiration of Chang Yu’s fusion of Chinese and Western arts.This article tries to analyze,summarize and comprehensively summarize the works of Art and expression of Chang Yu from modern and contemporary artistictrends,cultural backgrounds and related philosophical thoughts.Then he hopes to gradually and progressively discuss how his works are integrated in the context of Chinese and Western art from multiple perspectives,and they are willing to be able to provide a reference to the more comprehensive and in-depth study of Changyu’s art in the future.use.