A Study On The Role Creation And Singing Of Na Ren Gao Wa In The Opera "Cang Yuan"

The first public performance of the opera "cangyuan" was in the 1990 s.Cangyuan has won classic honors in many international and domestic awards,becoming a monument in the history of opera."Cangyuan" in 2002 to the "national stage art works" series.In view of this,this paper chooses na-ren gaowa in cangyuan as the subject of the study,focusing on the analysis of the character shaping and singing.The research is divided into four parts.Firstly,the main content,research significance and innovation of this research are analyzed.Then in the overview of "cangyuan",focusing on its creative background,story outline,creative style of three aspects,introduced the creation of opera era,story development of the main line.The second chapter mainly analyzes the dramatic images of nalengova’s "big me" and "little me",and sublimates the great female images of nalengova to readers.The third part analyzes the singing characteristics of the aria love song,two voices in my heart,and we will live forever.The fourth chapter elaborates on the three aspects of aihong’s performance,including breath support,performance style and second creation,and analyzes the artistic performance of nairen gaowa in detail.The study of this paper provides a systematic analysis for the role shaping and singing analysis of nalengova,and provides certain reference experience for the subsequent teaching work of the performance department and the actual performance.