The Characteristics Of Music Language And The Analysis Of Singing Technique In Hu Nan Folk Songs

China’s vast territory and its long history have enriched the rich forms of folk art.Folk songs are an important part of their diverse styles and expressions.On the one hand,it has the function of lyrical expression,which has become one of the ways for people to express their emotions and enjoy their body and mind.On the other hand,as a way of oral communication,it can effectively record the dialect habits,warmth and historical stories of one side.Despite the development of diversified music forms,some functional folk songs have lost their original sound environment.However,for the musical art of folk songs,it has entered a larger cultural vision and is of concern to more and more people.Among them,Hunan folk songs are an characteristic part of it.The rich folk songs,minor notes,work songs,opera art included the minority art forms contained in Hunan folk songs not only get the love of the masses,but also enter the research field of professional music.In the field of vocal music,a large number of Hunan singers played an important role in the spread of Hunan folk songs.How to grasp the artistic display of the singing of Hunan folk songs in different field environments is an important issue.Under the premise of not obeying the artistic characteristics of the song itself,the use of the singing skills and dialects of the singers to maximize the artistic tension and aesthetic tendency of Hunan folk songs is the key concern of this article.Due to the vast area of ??Hunan,and have many nationalities,and more folk song styles,this article takes "Liuyanghe","Ma Sang Shu Er Da Deng Tai" and "Wu Jing Liu Lang" as an example,trying to analyze the characteristics of his language style and singing skills.Analyze the relationship between singing techniques and works.