A Study On The Lines Of The Comedy Trilogy "Mahua Funage"

From 2015 to 2017,the "Mahua FunAge" team launched three films,Goodbye Mr Loser,The World Of Chinese,and Never Say Die,and called the Mahua FunAge Comedy Trilogy.These three films stood out in the same period of many films,and won the box office reputation with strength.Among them,the lines of sharp,simple,humorous and connotative lines continue to point to social hotspots,and become the "classic quotations" of the audience circle.It can be said that its success is inseparable from the unique line art.The article takes the " Mahua FunAge " comedy trilogy as the research object,mainly discusses the overall style,language strategy and aesthetic function of the lines,revealing the reasons for its recognition by the audience and the market.As well as the development of domestic comedy-type movies,the variety of film markets,and the improvement of film quality.The full text is divided into five chapters:Chapter One Introduction,Taking the research status of "Mahua FunAge" at home and abroad as the starting point,combing the research results of predecessors from the aspects of business model and film text;While describing the purpose of the topic,it also analyzes the theoretical and practical significance of the topic in more detail;Finally,I made a relevant introduction to " Mahua FunAge " Entertainment Culture Media Co.Ltd.and analyzed the possibility and inevitability of the success of " Mahua FunAge " from the three elements of Chinese comedy elements,the birth of stage plays and the transition from small theater to film.The second chapter discusses the overall style of the " Mahua FunAge " comedy trilogy line,sums up the three characteristics of simplicity,sharpness and humor,and refines it into six aspects: Colloquial expression,popular presentation,explicit erotic hints,euphemistic metaphors of politics,witty baggage,absurd black humor.The third chapter mainly analyzes the language strategy of the " Mahua FunAge " comedy trilogy line from the perspective of linguistics.Including the voice strategy,that is,the homonym to create misunderstandings,the presupposition to create anti-daily jokes,and the sentence pause to create defamiliar jokes;Vocabulary strategy,namely the use of local dialects,the use of different solutions,and the use of popular words;The rhetorical strategy is the use of excessive exaggeration,puns and serials.The fourth chapter analyzes the aesthetic function of the lines from three aspects: the manufacture of satirical jokes,the shaping of comic characters and the publicity of youth and subculture.The first is the irony of the manufacture of jokes,including the hypocrisy of the characters,the social irony of the awkwardness,and the irony of the small details;Secondly,it is the cartoonization of characters.It mainly discusses the typicality of the main characters and the personality characteristics of female characters from two aspects: grassroots,goddess and female.Finally,the publicity of the subculture of youth,focusing on the self-seeking of love and the self-realization of value,interpret a new social and cultural form embodied in the " Mahua FunAge " comedy trilogy.The fifth chapter analyzes the creative inspiration of the " Mahua FunAge " comedy trilogy.First,it affirmed the part of the comedy trilogy line,including the variety of forms,the appeal of the style,and the content of the content;then pointed out the problems of the lines,that is,the sense of stage,the cold humor,the thick advertisement taste.This chapter explores the advantages and disadvantages of the creation of the " Mahua FunAge " comedy trilogy,in order to provide reference for the creation of the lines of comedy movies in the future.