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The Aesthetic Category Of Japan’s EDO Period From The Perspective Of Somaesthetic

Posted on:2020-10-31Degree:MasterType:Thesis
Country:ChinaCandidate:Z DuFull Text:PDF
GTID:2415330578467441Subject:Chinese Language and Literature
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As the study period and summary period of Japanese classical aesthetics,the Edo period was characterized by scholars and theorists who systematicallyized the results of Japanese traditional culture and endowed them with new era content and aesthetic value.Putting a summary under the horizon of somaesthetics,"Mononoaware","Sikidou","Iki" as an important part of the somaesthetics,and important part of Japanese aesthetics,is the Japanese aesthetics An important part of research with aesthetics."I" as the main body of existence,the world and the other as the wings of existence,is an important part of somaesthetics."Mononoaware" is the origin of Japanese aesthetics.Under the interpretation of Japanese scholars,"Mononoaware" shows an aesthetic tendency of "everything is alive"(1).Under the horizon of somaesthetics,"Mononoaware" is a "sakura-type" cosmology that shows the body and the world permeate each other.It is called "Mononoaware" and it is actually "the realization of the soma".Experience the impermanence of the world,but also feel deeply happy,finally ushered in the affirmation of "no difference" in everything.The root of the "Sikidou" can be traced back to "the ‘philanderer’ is the most known ‘Mononoaware’”.Fujimoto Aoyama founded the "Sikidou",deepening and highlighting the body meaning in the "Mononoaware",and aestheticizing and systemizing it.To seek philosophical systemization,artistic expression and aesthetics in the sense of life.Under the horizon of somaesthetics,"Siki" is the direct appearance of the beauty of the body and the power of the essence of life.In the "Sikidou","worry is the bodhisattva",why can’t lies be sincere? I realized that the "form is empyiness,emptiness is form" is the "philanderer",in real life,it will like walking in the Garden of Eden.";Iki" is the "root of Sikidou." Under the interpretation of Kuki Syuzou,"Iki" is manifested in the aesthetic ideal of self-study under the premise of combining body and mind.It is always incomparable to cherish "only once in a lifetime"(2),but never insist on it.Holding a light and chic attitude,I positively affirmed the "dream" called reality.At the same time,"Iki" is based on somaaesthetics,involving all aspects of life and art."Iki" can be said to be the most aesthetic category of Japanese aesthetics."Mononoaware","Sikidou" and ";Iki" as important aesthetic categories in the Edo period in Japan,together with the Zen formed under the influence of Buddhism and Taoism,and the Bushido constitute the "inner aspect" of the inheritance of Japanese aesthetics.From the horizon of somaesthetics of today,under the "sakura-type" world view,the body and sex both have been fully affirmed."I" as a body of physical and mental unity and a special other together constitute The "body image" of Japanese aesthetics.The "inner aspect" of Japanese beauty combined with its "body image" has formed an overall clue to Japanese somaesthetics.This thesis focuses on the sensibility and transcendence of the East style inherent in the Japanese,and takes the Western somaesthetics as an opportunity to think about Japanese aesthetics.This kind of aesthetics with oriental traits is a "realm" of life.In a different mode of thinking than the West,the common value lies in enabling people to obtain a brisk and free way of existence,and to exist in the world in a form natural(1)attitude towards life...
Keywords/Search Tags:Somaesthetic, Mononoaware, Sikidou, Iki, Zen
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