| During the Ming and Qing Dynasties,Zhao Mengfu and Wen Zhengming shrouded the world.Although Dong Qichang was in the era of Zhao Mengfu and Wen Zhengming’s calligraphy,his calligraphy was unique from the machine.Dong Qichang’s calligraphy went into the Jin and Tang Dynasties,and he took the ancient high school.His book style is ethereal and ethereal,and his innocence is plain.He advocated the calligraphy aesthetics with "light" as the core,and on.this basis put forward a "successful survival".It is generally believed that "cooked after birth" is part of Dong Qichang’s calligraphy aesthetic thought with "light" as the core,but this article holds that Dong Qichang’s "cooked after birth" is both an aesthetic standard and a way of learning books.The logical orientation of "life-cooking-sheng"contained in the saying is exactly the clear veins of Dong Qichang’s calligraphy teaching to the world;in addition,Dong Qichang’s concpt of writing is based on Confucianism,and it involves the two religions.It not only embodies its profound knowledge,but also shows the special cultural background of the Ming Dynasty to the descendants.The "study of birth and maturity" is the crystallization of the book science under this special historical background;and this paper believes that Dong Qichang s unique Linyi concept runs through the whole The book-writing career is precisely the unique concept of the book,which creates the aesthetic concept of "cooked students".Through his book theory and questions,he deeply analyzes the concept of the book,which is different from the ancients,and explores the specific practical strategy of Linyi.After studying the aesthetic viewpoint of Dong Qichang’s calligraphy,on the one hand,it helps us to re-recognize the connotation of its aesthetic point of view and improve the aesthetics of calligraphers.On the other hand,it also deepens our understanding of the process of calligraphy learning and provides theoretical support for the study of calligraphy in modern books. |
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