The Study Of Artistic "Hyperreality" In The Context Of Postmodern Visual Culture

The postmodern society presents two new dimensions:one is the prevalence of visual culture,and the other is the superiority of space.The postmodern visual culture runs through postmodern spatial logic from time to space,from depth to plane,and from whole to debris.This constitutes a background reference for studying the phenomenon of artistic "hyperreality" in the context of postmodern visual culture.This thesis mainly studies two aspects:the aesthetic psychological reason for the emergence of artistic"hyperreality" and the reflection of the phenomenon of artistic "hyperreality".The paper consists of four parts:The first part of the thesis mainly discusses the visual aesthetic characterization of"hyperreality" and the "non-sublime" phenomenon of art.Vision as the most important spatial sensation is prominently reshaped by the postmodern space,resulting in a new aesthetic experience characterized by plane and no depth,distance resolution,and patchwork.Correspondingly,it dispels the reality concept of traditional art,and the art presents the characteristics of "non-sublime".This characteristic is embodied in the sublime of science and technology" that appears after the dissolution of the natural,and the aesthetic "euphoric" and "schizophrenia" feelings that appear after the disappearance of traditional emotions,and the "fantastic" feeling brought by the narrative "depletion"and shocking experience,and the aesthetic "fashion" under the consumption of visual symbols.The second part of the thesis analyzes in detail the visual aesthetic reasons of"hyperreality" and the "transaesthetics" principle of art.From time superiority to spatial superiority,an "internal explosion" has occurred in postmodern visual aesthetic standard,aesthetic self-discipline concept has been dispelled,and aesthetics has appeared"generalization".It deconstructs the aesthetic paradigm in the traditional and modern sense,and the visual aesthetic appeal tends to be "unrealistic",which is reflected from"reality" to "hyperreality",from "reproduction" to "simulation",and from "image" to"like image’",and the art presents a new "transaesthetics’" principle.At the same time,aesthetic illusion under the control of "capital" and a postmodern idea of aesthetic utopia.construct a utopian visual aesthetic ideal and artistic imagination.The third part of the thesis focuses on the analysis of the "hyperreality" visual art evaluation and the hidden worry of literary reality in the era of reading pictures.A key attribute of postmodern space is "coherence",and the literary text presents a patchwork and fragmented text structure.From the perspective of literary creation,the growth of consumer desires has made the literary spirit of the creator gradually disappear,and the"replication" and "like image" lead to the lack of originality and authenticity in literary creation.From literary reading to image viewing,postmodern visual culture advocates a kind of "desire aesthetics”rather than "interpretation of aesthetics".At the same time,the postmodern "graph and text" tension makes the new paradigm of literary research "visual criticism" possible.The fourth part of the thesis focuses on the "end" of "hyperreality" visual art and the reflection and breakout of artistic reality.The postmodern space has a strong assimilation ability.The phenomenon of "de-regionalization" of art brings the populist tendencies of art.It also makes art uncertain and nihilistic,and even academic researchers have expressed the lament of "the final conclusion of art".In fact,the emergence of the saying"the end of art" means the transformation of artistic concepts and artistic functions,and the art itself is diversifying.Finally,based on the breakout of artistic reality,it advocates the reconstruction of an artistic reality.It is characterized by a multi-sensory balance,"literary" and artistic poetic unity,synchronicity and diachronic unity.