Research On The Language Of Puxinyu Landscape Painting

In 1896,PuXinYu was born in the Prince Gong’s Mansion at the foot of the emperor.He was the second grandson of the Prince of Daoguang,the son of the Emperor of Daoguang.This noble son is intelligent and eager to learn.He has high attainments in landscapes,flowers,birds,characters,poetry and calligraphy.He is a rare all-round cultural celebrity in modern Chinese history.He has received orthodox traditional cultural education since childhood and has a profound cultural heritage of Chinese culture.He has a high reputation in modern Chinese painting circles.He is known as " South Zhangbei" and is known as Jincheng,Chen Shaomei and Zhang Daqian.For the "four people of the Republic of China." Under the influence of the Western Learning and Eastward Thought in the late Qing Dynasty and the early Republic of China,although Mr.PuXinYu had studied in Western Germany and had contacted Western painting thoughts,he still adhered to China’s excellent traditional culture and lingered in the ancient world.This thesis attempts to explore his artistic style with the painting language and creative concept of the landscape painting,so that we can understand the artistic thought and painting style of Mr.PuXinYu more deeply and comprehensively.His works are fresh and elegant,the structure of pen and ink is rigorous,and the meaning is profound.There are paintings in the poems,poems in the paintings,and distinctive national consciousness and personal style.This article is divided into five parts.The introduction part explains the current status of the research on the study of the heart and the research significance and methods of this article.The first chapter introduces the background of the times,the experience of life,the pursuit of art and the formation of style,and leads to the analysis of the second chapter of painting language.The theme selection and painting language chapter analyzes the characteristics of painting and language in the theme and composition of the paintings,ink painting techniques and coloring.The third chapter discusses the style of the art style and his creative concept,and analyzes it in detail from three aspects:poetry and painting,painting and style,concept and character.The last chapter explains the influence of the art of landscape painting on contemporary landscape painters.His many disciples’ inheritance and innovation to him,as well as the influence of his painting language on me and my thinking and exploration.