Shi Tao "Painting Quotations" Painting System Of Aesthetics

Shi Tao is one of the four monks of the Qing Dynasty.With his strong interest in painting and assiduous study,coupled with extraordinary artistic talent,in the field of painting to create a piece of their own art sky.He not only has many commendable paintings,more importantly,in his later years to complete a painting theory works "painting quotations",spread so far,for the later painting people admire.This work is based on the painting techniques,painting theory and painting aesthetics on the basis of the painting art made a systematic summary.Whether it is the metaphysical technique of painting art,or the metaphysical abstract philosophy and aesthetic thought of painting art,"painting quotations" show Shi Tao’s unique view of talent in painting art.This paper mainly focuses on Shi Tao’s works of "Paintings and Quotations",and analyzes the contents of Shi Tao’s poems and poems collected from now on,using historical materialism and dialectical materialism,from the point of view of history and aesthetics,To analyze and discuss the concept of each chapter,the relationship between the categories,in order to depict Shi Tao’s aesthetic thinking of painting.This paper argues that there is a complete system of painting aesthetics in Shi Tao ’s "Quotations",and the content of this system is not a kind of physical system,which is formed by strict reasoning,Is based on the Chinese model of the actual situation of the logic of the gas system."Painting Quotations" in the painting aesthetic thought is Shi Tao standing in the philosophy,aesthetics,but also integrate their own experience in painting practice,the extracted,the best embodiment of Chinese-style discourse characteristics.This article will take the original source of the method,the text interpretation of the way to restore Shi Tao ’s painting aesthetics system.The paper first combs the atmosphere of Shi Tao’s life,the social background,the wave of artistic thought and his personal experience.At the beginning of the Qing Dynasty painting on the formation of the "four monks" that Hongren,stone Creek,eight mountain people,Shi Tao as the representative of the reform and the "four kings" led by the two conservative forces confrontation situation.Shi Tao’s artistic pursuit and ideological proposition,both distinctive characteristics of the times,but also reflects his unique personality charm.Second,the main part of the paper.Trying to clearly outline the stone paintingsystem,the first chapter "a painting" put forward the famous "one painting" theory,is the core view of the book.In the rest of the seventeenth chapter,Shi Tao created many aesthetic concepts,categories,these concepts,the category is "a painting" theory of the organic part of the formation of a complete between them aesthetics system.This article takes the text of "painting quotations" as the foundation,starts with the concept of aesthetics,explores the connotation of category,adopts the method of induction,analysis and so on,and closely links the connotations of the chapters of "quotations",thus clarifying the complicated and perfect aesthetic system of ShiTao painting The With the help of illustrations,the "one painting" theory is at the core of the system,and thus the Taoist thought of "one painting" from the aspects of painting ontology,painting creation theory,painting technique theory,artist theory and painting development theory To carry out specific interpretation,and ultimately to form a full,orderly and perfect painting aesthetic system.Finally,it discusses the influence of Shi Tao ’s painting thought on later generations.Not only is Shi Tao soon after the "Yangzhou eight strange" by its direct impact,but also in modern painting,Shi Tao’s artistic legacy also plays a pivotal role in the modern painting had a profound impact.His aesthetic thinking of painting has very important artistic value in painting practice and theoretical height,and is absorbed,inherited and carried forward by later artists.