A Study On Artistic Evolution Of The Shanghai Style Painters From Chaoshan In The Republic Of China Period

Chaoshan fine art is an important component part of the Guangdong art,however,it has been too long neglected because of many factors,especially under the cover of Lingnan Painting School for a long time.With the fast development of the study of Chaoshan,some scholars began to carry out a series of pioneering excavations in various fields of Chaoshan culture.Original Developmental Study on the Chaoshan art still is yet to be worked out.On the basis of the study of individual famous painters and long-term art history in Chaoshan,the paper systematically combs the artistic evolution of the Shanghai style painters from Chaoshan in the Republic of China period by focusing on this particular historical stage and the specific group of the Chaoshan artists who went to Shanghai to study,analyses the cause and effect of this art group of the Shanghai style painters from Chaoshan in the Republic of China period.The paper includes four parts except the introduction:1.Chapter two: Briefly combing the context of Chaoshan Art influenced by various cultures in the whole historical period and analysing mainly the main approaches for the influence of the Shanghai School Painting on Chaoshan fine art.It can be divided into two parts:the first quarter is the background for exploring in depth of the Shanghai style painters from Chaoshan in the Republic of China period,making a certain understanding about the different influences of Yellow River Culture,Fujian Painting,the Shanghai School Painting and Lingnan Painting School on the Chaoshan Painting from ancient times to the present,and the second quarter is the exploration of main ways that Shanghai School Painting the most closely with the paper affects Chaoshan Painting;2.Chapter three:It is the key chapter of the full text.It mainly discusses the artistic development of different Shanghai style painters in the Republic of China.This chapter mainly divides the objects studied in this paper into categories,which are roughly divided into inheriting Shanghai School Painting and absorbing Shanghai School Painting.Essence,carry forward its own characteristics,detach from the development of the three types ofartists,and extract representative painters as concrete examples of each classification for further detailed analysis;3.Chapter four:It is to explore the influence of the Chaoshan native culture on the Shanghai style painters.When studying this particular art group,the influence of regional culture on the research objects is worth considering and deepening,especially the Chaoshan culture as a distinctive feature.One of the branches of Chinese culture,its dual regional culture,that is,the fine regional culture and the external marine culture.These two aspects,which influence the whole group of Shanghai style painters from Chaoshan,can be found common traces and regularity by Chaoshan production,life,foreign,learning and so on in Chaoshan;4.Chapter five:After the fourth chapter discussing the influence of the Chaoshan regional culture on the painter,this chapter is as a response and supplement,in turn,the Shanghai style painters from Chaoshan as a subjective initiative,through a series of social activities and deep cultivation in the field of education,made a series of research and discussion to promote the development of the Chaoshan painting circle.