Comparative Studies Between "Liangzhuang Series" And Local Literatures In The 1920s-1930s

Local narration is an important tradition of Chinese modern literature.Local novels in the 1920s and 1930s symbols the nse and maturity of local literature and"Liangzhuangseries"of Liang Hong navigate the local literature onto a new path.The nonfiction and local literature share similar creation ideas,narrative strategies,and writing standpoints,though great differences exist also.This thesis takes "Liangzhuang sernes"and the local literature in the 1920s and 1930s as the research object,exploring the similarities and differences between the two from a broad perspective of literature history by studying their different attitudes towards the fictional narration.The first chapter expounds the differences between the two types of local literature in terms of writing style,style selection and aesthetic expression under the different writing concepts.Unlike the imaginative construction of the native place in the 1920s and 1930s,Liang Hong adopts a new interlocutory literary form and describe her hometown in on-the-spot way.Her aesthetic expression of nostalgia is no longer restrained by the self-emotional expression in traditional local literature,but more manifested in the aesthetic speculation of intellectuals in the defeat of rural spiritual culture.The second chapter studies the narrative strategy of the context from the perspective of narrative strategy,and concludes the similarities and differences between the two in terms of narrative identity,perspective and narrative style.Liang Hong,who has multiple narrative identi ties,presents polyphonic narration by transforming restrained perspective of first and third person into free conversion perspective in "Liangzhuang series".Guided by the spirit of the times and the cultural ideal,Liang Hong also carried out a new sequel of Lu Xun’s"homecoming narrative"model,and her work represents the truth of local life in anon-fictional"way.The third chapter takes the gender consciousness of female writers as the starting point,and compares the image of rural women shaped by the nonfiction and local literature.It also focuses on the innovation and breakthrough of the "Liangzhuang series"on women’s personalized writing.Liang Hong has created faithful female characters and writed local life from the perspective of social gender,which helps her make the conversion from feminist consciousness to sur-gender consciousness.Additionally,she conveys the grand theme with a personalized simple narration,improves the relationship between the individual discourse and public discourse and transforms"personal experience”into“collective experience”.The fourth chapter analyzes the local ethical writings in the family,ecology and survival levels from the perspective of ethics.Liang Hong deeply reveals the reality of rural life under the breakdown of family ethics.She shows the desire to rebuild the intimate relationship when thinking about the chaotic rural ethics.She also continues the critical tradition of modern civilization in the 1920s and 1930s.The writing of ecological ethics not only shows a strong sense of life,but also conveys an ethical reflection on the deep spiritual ecology of human beings.In addition,facing with the embarrassing situation of peasants in the urban-rural conflict,Liang Hong raised the concern about the individual living conditions to a new level of spiritual ethical care.