On Liang Hong's Narrative Of Rural Decadence

As a representative writer of non-fiction literature in the new century,Liang Hong enters the hometown as a returner,and takes her hometown Liangzhuang as the object of investigation,showing the changes and development of the rural interior in the transition period of the new century,the spirit and soul of the rural figures,and the fission and extinction of the rural culture.Taking China in Liangzhuang as an example,China in Liang zhuang focuses its perspective on the interior of the countryside,and through the description of the landscape,the education of the countryside,the characters of the countryside,the politics of the countryside and the culture of the countryside,the present situation and the existing problems in the transition period.Taking the urban workers who leave the countryside as the narrative focus,the author tries to present the spiritual world and emotional appeal of these people by describing their living environment and their working experience.Based on the text,this paper probes deeply into the decadent narrative of Liang Hong's masterpiece in Liangzhuang,and analyzes the value pursuit behind the decadent narrative in combination with the writer's creative characteristics and background.The thesis is divided into the following parts:The first part is the introduction.Starting from the "Native Narrative of the New Century",it mainly explains the concept of decay and the phenomenon of rural decay,and introduces the research status of Liang Hong's China in Liangzhuang and Out of Liangzhuang.Chapter 1 "The ruined rural reality" reveals the status of rural ruin through in-depth interpretation of the text.The imbalance of the ecological environment and shrinking living space have led to the deterioration of rural living space,the worship of rights,the decline and qualitative change of political power have made rural politics appear complicated.The loss of folk culture,the contempt of rural education,and the lack of moral beliefs lead to the defeat of rural spiritual culture.These three levels reveal the reality of the rural failure from material to spiritual integrity.Chapter Two,"The Presentation Mode of Failure",by analyze the narrative characteristics and skills of Liang Hong's works from the perspective of narratology.The use of interdisciplinary methods and the free switching of multiple perspectives enhances the authenticity of text,which is also the uniqueness of his creation;The fusion of discourses increases the narrative tension of the work;the interspersing of past and present time and space has enriched the expression space of the work."Post-value implication" mainly analyzes the value and significance of Liang Hong's writing.Liang Hong's move from study to the countryside is a confrontation with fiction life and a correction of fiction local literature writing;taking Liangzhuang as an example to reflect on rural China.The direction of destiny reflects the consciousness of responsibility and the reflection of writers.In the writing,the attention to rural groups and the exploration of the spiritual world are full of humanistic care of writers.