Mental Image Of The Spirit—The Style Of The Pin Stone And The Introduction Of The Strange Stone Into The Painting

Chinese stone culture has a long history,the stone has a unique beauty,is the nature of the ghost axe carved out of a variety of forms,but also the literati have given the strange stone with rich humanistic feelings.In the long-term play in the accumulation of a stone custom.These stone lovers not only play in their hands,but also introduce the stone into painting as a creative subject.Painters develop a unique aesthetic point of view in stone painting,the most famous are Mi Fu's thin,leaky,wrinkled,penetrating;and Zheng Banqiao's knowledge of the firm,solid,male,show.There is also the stone character of Gao Fenghan's "Fang and Ping,Shi Yunzhen".It embodies a kind of sublimation from stone lattice to pictorial frame and even personality.This article takes the strange stone in the painting as the research object,proceeds from the research direction of the strange stone entering the painting,through carries on the analysis and the explanation to the odd stone as the independent aesthetic main body painting work as well as the strange stone in the different literati painter to reflect the different symbolism meaning to carry on the analysis and the explanation,In order to find out the inner portrayal and spiritual style of the literati painters hidden behind the strange stone painting,to find the concordance point between man and stone,and to explore the contemporary possibility of the painting of the strange stone,the unique character of the strange stone in the painting is understood from the point of view of the unique character of the stone in the painting.Through the exploration of the origin of Qishi painting,this paper finds out that the Qishi appeared in the painting in the form of matching scenery very early.From the influence of social atmosphere,to the extensive application of strange stone in garden construction,to individual painters' love for stone,to explore the unique artistic charm of strange stone,to study the spiritual expression and style evolution of strange stone in painting.The change of the "position" of the strange stone in the painting reflects the different characteristics of the strange stone in the painting,fromsetting the overall atmosphere of the picture and the matching role of the main body to the evolution of becoming the main body of the picture.Through the case of Gao Fenghan,a painter of Qing Dynasty,this paper studies the extensibility of the spirit of strange stone from the aspects of layout,modeling and inscription and postscript.Revealed Through the expression of the strange stone,the artist finds out the coincidence point between the strange stone and the artist itself,realizes the fusion of the human stone and the stone,and explores the contemporary possibility of the painting of the strange stone by the way of expressing the metaphorical person.Combined with the creation and analysis of the present paintings of strange stone,we can experience that the image of the strange stone in the painting is not only the character of the strange stone,but also the spiritual realm pursued by the literati and painters,which embodies a kind of artistic conception and life feeling which is worth understanding.This is the space in which the literati rest their minds,and there is the most true or ideal self and life.As a new theme of painting and its inner spiritual connotation,Qishi painting has a great value in contemporary art creation.