The Study Of Houfeishuo In The Book Of Songs

This paper investigates the interpretation of houfeishuo in the annotations of the book of songs of all dynasties,selects representative works in the book of songs of han and song dynasties,sorts out the changes of the interpretation of "the theory of imperial concubines",and explores the reasons for the changes in the light of the zeitgeist and academic background.In examining the book of songs han "amusement" interpretation,the author of the preface to MAO poetry,"Mao Chuan",zheng thinks,"thin" was analyzed,and the "amusement" interpretation "amusement" consists of the preface to MAO poetry to explain two south poem decree,in "Mao Chuan" to enter text to explain the book of songs,in zheng xuan added the amusement of the fair maiden’s content,in justice to MAO poetry "in the closed system.Through the comparative study of houfeishuo and the textual meaning of the second south,the author found that the second south had no connection with the imperial concubine."Small order" molded the model image of the imperial concubine,and put the imperial concubine into the education system of wang tao,which has a profound influence on later generations.The reason for the formation of houfeishuo is the power of imperial concubines in the han dynasty and the academic turn of the main text.In order to reconcile the text of "shi" and "theory of imperial concubine",MAO zhuan introduced imperial concubine into the text interpretation of "shi",compared with the text text of houfeishuo,enriched the image of imperial concubine shaped by xiao xu,and further adjusted the train of thought to adapt to the interpretation of houfeishuo.Zheng xuan’s poems were also carried out in the framework of the interpretation of Confucian classics established in the preface to MAO’s poems.In the interpretation system of MAO’s poems,kong’s "shu" harmonized the theories of MAO and zheng,and at the same time,there was no lack of the theory of invention,which made the "theory of imperial concubine" gradually closed and became a stable classical interpretation.When investigating the interpretation of houfeishuo under the influence of neo-confucianism in the song dynasty,the author selected two representatives of neo-confucianism in the song dynasty,er cheng and zhu xi,to analyze the changes of houfeishuo under the influence of neo-confucianism.The second cheng explained his neo-confucianism thoughts through classical texts,and introduced the concept of "rites and justice" in the category of xiu qi zhiping and neo-confucianism into the interpretation of houfeishuo.Following the neo-confucianism of the second cheng,zhu xi further strengthened the idea of respecting the king under the background of the national contradiction in the southern song dynasty.Although zhu xi advocated the abolition of the preface in his later years,his interpretation of "the transformation of the emperor wen" from the preface to MAO’s poems was also derived from wenwangshuo.Through a comparative study of the interpretation history of houfeishuo in han and song dynasties,the author finds that scholars in han and song dynasties interpreted houfeishuo under the influence of their zeitgeist and academic background,and introduced the mainstream ideology into the text of the book of songs through interpretation,and gradually developed it into a stable interpretation.