Research On Liu Naou’s Cultural Identity

Liu Naou was active in Shanghai in the 20 th century.He left a strong mark in the history of Chinese literature and film.Liu Naou is the "originator" of the Chinese New Feeling School,inheriting and developing the novel culture of the Shanghai School.In addition,the theoretical articles,scripts,and films he left in the history of film also made outstanding contributions to the development of Shanghai’s film industry at that time and the progress of modern film later.In addition to his activities in the field of film and fiction,Liu Naou has also worked as a translator and publisher,and is a literati with a complex and varied identity.Liu Naou’s special family background supports him to live a stable and leisurely life in Taiwan,Tokyo,and Shanghai,and supports his development of his cultural career.His complicated life experience has also made him affected by a variety of Japanese,Western and Shanghai The influence of culture.He wandered in the literary,film,fashion,entertainment,political,and business circles.He achieved good results in the hundreds of contentious Shanghai literary and movie circles in the 1920 s and 1930 s,and produced the creation of even literati and filmmakers at the time To some extent,he is a special and precious case in the history of literature and film.This article starts with Liu Naou’s cultural experience and studies his multiple cultural identities.The full text is divided into six parts.The introduction introduces the literary genre of Liu Naou in the research community and his research results,and elaborates the innovation and importance of Liu Naou’s research on cultural identity in this paper.The first chapter starts with Liu Naou’s status as a writer and studies his introduction of foreign cultures as a translator,his ups and downs as a publishing merchant,and his pioneering work as a writer on new literary genres.The second chapter describes Liu Naou’s literary achievements from the aspects of Liu Naou’s typed characters and the development of Shanghai style novels.The third chapter starts with Liu Naou’s film activities and analyzes Liu Naou’s series of film activities and the theory of "soft film" he advocates.The fourth chapter starts with Liu Naou ’s film achievements,and analyzes the influence of Liu Naou ’s film activities on the development of Shanghai film industry at that time and the promotion of later modern films.The conclusion part summarizes the content of the full text,affirming the importance of studying Liu Naou’s cultural identity in Liu Naou’s research.