A Comparative Study Of The Image Of "Son Of The Earth" In Images Of Mo Yan’s Novels And "Seventeen Year" Rural Novels

Mo Yan,as an important writer of literature in the new era,based on "Gaomi Northeast Village",created a variety of characters,among which the image of farmers occupies a very high proportion in the author’s creation of the character pedigree,and breaks through the traditional image of rural characters,causing the world’s attention.Taking the rural theme novels as an example,they are different from the "seventeen years" rural theme novels in terms of their shaping techniques and creative ideas,but careful observation will reveal the subtle connection.Regardless of the "seventeen years" or the literature of the new era,the rural novels have always been the focus of the writers’ creation.The land and the personnel on the land have attracted the writers’attention,memory and writing.Based on the land,the characters created by the writers can be collectively referred to as "the son of the land".The farmers and landlords are one of their representative identities,occupying a quite important position in the rural novels.Despite the changes of current events and the changes of writers’ views on history and culture in different periods,they still have something in common in the methods of characterization,the handling of the relationship between people and events,and the handling of the contradictions in the development of the story,especially in the"middle characters" in the "Seventeen Year" rural novels,which are closely related to the characterization of some farmers and landlords in Mo Yan’s novels In a sense,the two sides can even have a dialogue across time and space.By examining Mo Yan’s experience acceptance history,it can be clearly found that "seventeen years" rural novels occupy a place.No matter how much ink Mo Yan later gave to "seventeen years"rural novels in his creation talks,his acceptance influence already exists,and as experience,it is active in the consciousness field of writers,revealing the writing style and containing in the characters.Taking the comparison of the characters of "son of the earth" as the research center,this paper studies the text relationship between Mo Yan and the "Seventeen Year" rural novels,and tries to find the track of Mo Yan’s inheritance and breakthrough of the"Seventeen Year" rural novels in the process of historical change.At the same time,the image of "son of the earth",as a part of the text,is not limited to the comparison of characters,but also focuses on the social background behind the active characters.This paper limits it to the grass-roots political environment.In the whole process of comparison,"what to write" and "how to write" are equally important.Based on the comparability and operability of the research objects,the novels mentioned in this paper will be limited to Mo Yan’s LIFE And DEATH FATIGUE,The SONG Of GARLIC BOLT In HEA VEN,BREAST And BUTTOCKS and The RED FLAG SPECTRUM,The GREAT CHANGES In The COUNTRYSIDE,SANLIWAN and ENTREPRENEURIAL HISTORY.The first chapter focuses on the historical materials,starting from four aspects:life experience,reading experience,learning experience,and avoidance of the creative experience of "the first work"(summarized as the overall acceptance experience),combs all the experience sources related to "seventeen years" of Mo Yan.Life experience and reading experience are directly affected.Mo Yan’s learning experience and avoidance of the creative experience of "the first work" have formed.On the other hand,the writer’s experience of "seventeen years" reception.The investigation of this stage can not only find out the reasons why Mo Yan’s novels are frequently involved in"seventeen years"(passion for creation),but also pave the way for further comparative study of the thesis,that is,to focus on the theme and technique,to investigate the influence of the overall acceptance experience on Mo Yan’s creation,and on this basis,to envisage the emergence of Mo Yan under the "influence anxiety" The possibility of creation provides the prior conditions for the comparison with Mo Yan’s actual novel creation.The second chapter focuses on the specific text,focusing on the environment of peasants,landlords and grass-roots political power,compares Mo Yan’s creation with the "seventeen years" rural theme novels,and examines Mo Yan’s inheritance and breakthrough(including the breakthrough of his early acceptance experience).In the changing and unchanging place,Mo Yan’s freedom after getting rid of the "influence anxiety" and the problems brought about by the specific writing gains and losses.The third chapter focuses on the land and reality,examines the "land" root of the "son of the land" who lives in peace,and analyzes all aspects of the thinking connection between Mo Yan and the "seventeen years" writers.It finds that there are creative thinking about literary noumenon,and there are concerns about the realistic performance,and there are differences,similarities and differences.