Study On The Music Of The Sacrifices To Confucius In Lucheng In The Qing Dynasty

The ceremony of offering sacrifices began with the worship of the disciples of Confucius in the Confucius.After the Han Emperor Liu Bang passed through Ludi,the Eunuch ceremony was used to worship Confucius,and later generations of the kings followed suit.Emperor Wu of the Han Dynasty "destroyed 100 schools and honored Confucianism alone" fully affirmed Confucianism.Confucius was the founder of Confucianism,and his status and influence improved.The ceremony of worship was also included in the National Ceremony.In the category,during the Tang dynasty,the Confucius Temples were built in various states and counties.Since then,the ceremonies have been spread throughout the country.The ritual ceremony is a ceremony of ceremonies,music,and dance.The ritual used in the ritual is a special ritual in the ceremony of ceremonial rituals.It mainly promotes the noble character of the priest and expresses the respect for the prince.In this article,in the tenth year of Qing Guangxu(1884),"Yucheng County",the ritual of the rituals of the rituals was used as the main body.Through the use of music historiography,music philology and field investigations,the study of the ceremonial rituals of the rituals of the Qing Dynasty was carried out.In order to explore the local characteristics of the rituals used in the rituals of the Qing Dynasty.The full text is divided into three parts: introduction,subject and conclusion.The first part is the introduction,which mainly describes the research purpose and significance of this paper,the research status and research methods of this argument in the past ten years at home and abroad,to determine the feasibility of this paper.The main part has three parts.The first part mainly describes the basic norms of the ritual ceremony of the rituals in the Qingcheng area.It is based on the relevant historical materials contained in the Qing Dynasty(1884)"Yucheng County",mainly from the time,place,personnel,agenda and music.In the agenda of the sacrifice hole,the embodiment is explained.On the basis of this,the basic norms of the ritual ceremony of the rituals of the Qing Dynasty and the basic norms of the national ritual rituals are compared and referenced,focusing on the music of the rituals,musical instruments,music and music.Contrasting the rhythm for comparative study;the second part mainly explains the interpretation of the music used in the county records,mainly from the threeaspects of music relics,music records and interpretations.And compare it with the national ritual rituals with music scores,summarizing the differences between them;the third part is based on the first two chapters.The conclusions of the rituals of the rituals of the rituals in the Qing Dynasty and the rituals of the rituals of the national level were compared with the conclusions of the rituals,and their similarities and differences were summarized and their causes were analyzed to comprehensively analyze the characteristics of the rituals used in the rituals of the Qing Dynasty.Investigate and interview relevant people,investigate the relationship between the use of music and the traditional etiquette and rituals of the Changzhi area in the Qing Dynasty,and discuss the future development of the festival.The last part is the conclusion of this paper.Through the comparative study in the previous article,it summarizes the local characteristics of the ritual rituals used in the Qing Dynasty in the Qing Dynasty and the characteristics of the historical materials used in the rituals of the rituals in the Qing Dynasty(1884).As a great educator and thinker in China,Confucius took his life to restore the ritual and music thoughts of the Zhou Dynasty.He devoted himself to the compilation of ancient literature and made great contributions to Chinese traditional culture.As a special ceremonial commemoration of Confucius,the ceremonial ritual is an excellent traditional culture in China,and its ritual music is of great research value.Because it is not only a reproduction of ancient Chinese classical music,but also reflects the profound connotation of Chinese traditional culture.