Nheritance And Development Of Yangqin Art From The Perspective Of Reception Aesthetics

In the middle of the last century,the Germans Yaosi and Ither proposed the theory of accepting aesthetics.The earliest theory was to reflect on the new theory of literary theory.Later,it gradually expanded into the art theory and opened up for us to think about the development of art from the perspective of the recipient.New vision.The dulcimer was a "Western musical instrument" introduced to China from the Ming Dynasty.Later,in the course of several hundred years of development,it gradually gained public acceptance and recognition of musical instruments.In the early acceptance process of dulcimer,we can find that dulcimer art and popular art are better integrated,and the wider range of dulcimer has done accompaniment work for traditional Chinese rap music and opera music.After entering the modern society,the dulcimer has been rapidly reduced with the decrease of the traditional music group in China.How to rethink the succession and development of dulcimer from the perspective of acceptance is the focus of this article.The first chapter introduces the significance and background of the topic,as well as the current research status at home and abroad.This paper’s topic selection comes from my long-term artistic practice of dulcimer performance and teaching.It is found that the problem of dulcimer art’s miniaturization is more serious,and the number of people who enjoy dulcimer art is decreasing day by day.In the graduate study stage,they come into contact with the theory of receptive aesthetics.Therefore,they have a strong interest in learning.From the point of view of the receiver,the theory of reception aesthetics brings me a new vision to think about the inheritance and development of dulcimer art.The second chapter introduces the origin and development of the theory of reception aesthetics,clarifies the core idea of the theory,and tries to simplify the complexity.Reception aesthetics,which originated in Germany in the 1960s,was mainly founded by Jauss and Iser.They pay attention to the receiver and put forward the perspective of expectation.The theory of reception aesthetics comes from phenomenological thinking at first,and develops the theory combining with hermeneutics at last.In the process of dulcimer performance and teaching,we should pay attention to the expression and interpretation of works,so that the public can better understand the emotional expression of dulcimer works,so as to enhance the aesthetic connotation of dulcimer art.The third chapter introduces the process of regionalization of dulcimer art from the perspective of reception aesthetics.The fourth chapter introduces the development history of dulcimer art from the perspective of reception aesthetics.The fifth chapter puts forward practical suggestions according to the present performance and teaching practice.