The Integration Of Chinese Traditional Art Forms And Western Compositional Techniques

Jia Daun is a famous contemporary composer and music theorist in China.From the 1980s until today,Jia Daqun has been active in the music world at home and abroad,and his music works are frequently performed in various music festivals and concerts.Jia Daqun's works have a wide range of genres and styles,and he has dabbled in symphonies,chamber music,concertos,chorus and various instrumental solos,especially his chamber music works,which account for a large proportion in all his works.Many of Jia Daqun's chamber music can be called excellent works in modern Chinese chamber music works,such as Shu Yun,Mo Mo Tu,three principles of ink painting,etc.Most of these works contain traditional Chinese art elements such as opera,guqin music and calligraphy,which are of great significance to the inheritance and development of Chinese traditional culture,and also to the modern Chinese Chamber Music Creative development has played a great role in promoting.Up to now,Jia Daqun's more than 30 years of music creation can be divided into three stages:structuralism,integration of China and the west,and multi integration.This paper selects his two chamber music works Three Movements ofAutumn and The Prospect of Colored Desert in the creation stage of "integration of Chinese and Western Music" as the research object.Starting from the aspects of texture,timbre,pitch and rhythm,and combining with Jia Daqun's structuralism theory,this paper analyzes and studies the music noumenon and the integration of Chinese traditional music elements and western composition techniques in his works This paper reveals the overall creation logic of the two chamber music works and Jia Daqun's pursuit of the integration of Chinese and western music,and then finds out that Jia Daqun is constantly pursuing and exploring new sounds.I hope that the research results of this paper can contribute to the improvement of the study of Jia Daqun's chamber music works.