Study On The Transmutation Of Yangzhou’s Banquet Poetry In The Periods Of Shunzhi And Kangxi

Yangzhou experienced war and gradually recovered stability in the period of Shunzhi and Kangxi Dynasty.In this context,with the development of the times,the literati,officials and local poets of Yangzhou combined with the diachronic changes of local classic cultural landmarks,held a poetry meeting one after another at the banquet,recorded and preserved them in responding poems.Different from the single theme in the past,these poems in this period fully and accurately reflect the mood of the poets at that time and the social and cultural reconstruction of Yangzhou in the Qing Dynasty,they have unique value and significance.This article combing the literature of banquet poetry in Yangzhou during Shun Kang periods,reviewing the relevant records of local chronicles,and searching for relevant historical materials,analyzing the change of space selection,the identity of the creator,the theme and the influence value of poetry,investigates the situation of political,economic recovery and cultural reconstruction,as well as the change of literati’s psychological state in this period,and use literature geography,sociology and other related knowledge to explore the transformation of Yangzhou’s banquet poetry in this period,trying to provide a new research perspective for banquet literature,Yangzhou culture and literature history of Qing Dynasty.The thesis is divided into four chapters.The first chapter" Changes in the Venue of the Banquet " introduces the diachronic transmutation of the sites of the banquet.According to the density of the Yangzhou’s responding in the Shun Kang periods,three landmark buildings representing Yangzhou’s classic cultural symbols are selected,i.e.Yingyuan,Hongqiao and Pingshan Hall.The development of the banquet responding activities is diachronically analyzed,combined with the historical reality at that time,and literature sociology and other related contents are explained to reveal the relationship between the change of assembly place and the development of politics,economy and culture at that time.The second chapter " Transformations of the Banquet Poets’ Identity " mainly explains the main part of the responding,that is,the life experience and poetry thoughts of the creators according to the transmutation of the banquet locations.Based on the history of this period,the article divides the participants into adherents of Ming Dynasty,Qing Dynasty officials and intelligentsia,reveals the influence of the change of poets’ identity on their psychology and the content of their poetry.The article analyzes the thoughts and psychology of the poets who experienced the great revolution of Ming and Qing Dynasties,and tries to reveal the influence of their identity changes on their thoughts and mental activities.The third chapter " Changes of the Banquet Poetry’s Theme " analyzes Yangzhou’s banquet poetry in the Shun Kang periods,and discusses the specific changes of the theme of the banquet poetry in the change from Ming to Qing Dynasty.Because of the change of the poets’ identity,which leads to the changes of their psychology and thoughts,the theme of their poetry also has changed accordingly,it mainly shows a change which the theme of joy and satisfaction of the Yingyuan poetry banquet,the theme of sigh time,sorrow,leisure and anxiety of Hongqiao and the theme of recalling antiquity,praising the sage and singing peace of Pingshan Hall banquet in the early Qing Dynasty,it shows the development process of Yangzhou’s banquet cultureThe fourth chapter of the thesis" The Value of Banquet Poetry " mainly analyzes the value of Yangzhou’s banquet poems in the periods of Shun Kang,and discusses the influence of banquet poems on Yangzhou,banquet poets as well as the contemporary image building and construction of Yangzhou city.