Ding Wei’s Annual Communication And Poetry Examination

Ding Wei(1635--1700?)Dan Ru,also known as Yan Shui,is a famous literati in the early qing dynasty,and is a successful writer in the history of Chinese Hui ethnic group literature.His extant works mainly include ten volumes of "poetry of Wen Shan",eight volumes of " article of Wen Shan",and one volume of "Ziyun ci".His poetic creation has been praised by Wang Shizhen,Zhu Yizun and other famous literary figures.The research on ding Wei,from his life experience,the circulation of the editions of his poems and the age of his poems,and then back to the creation of poetry itself,is progressive layer by layer.In this way,we can better understand the specific state of ding Wei’s official poetry under the background of the early qing dynasty.The first chapter focuses on the further study of Ding Wei.Starting with the academic case of whether it is one of the “Jintai ten poets” or not,on the basis of previous studies,adding new materials to prove that Ding Wei is not a one of “ the ten poets”,at the same time,research out ding Wei relatively accurate life tracks,especially the tracks of old age,and Ding Wei more important friends in his life story,on this basis,this paper makes a specific study on ding Wei’s “poetry of Wen Shan”.The second chapter discusses the “poetry of Wen Shan” written procedure and circulating version problem,research “poetry of Wen Shan” ten volumes written process experienced Kang xi since 15 years ago Ding Wei photocopy,Selected by Wang Shizhen and Shi Runzhang in the Kangxi 19 years,Ding Wei’s self-engraved edition around the twenty-fifth year of Kangxi,until kangxi Xi Yetang version to a book.the four-year-heavy edition of Xianfeng,eight-year-heavy edition of Guangxu,24-year-heavy edition of Guangxu,ten-year-heavy edition of the Republic of China,until now,all belong to the same version of the system.This characteristic also makes the content of the poems in the“poetry of Wen Shan” have less errors.However,there are still differences between the versions,because the later versions of the re-engrave are all under the condition of damage to the original version,the contrast with the“poetry of Wen Shan” is inevitable,this allows the existing version to more closely resemble the original version in its truest form.On the basis of the textual research on Ding Wei’s years and the editions of his poems,it is found that the poems of Ding Wei during his official residence in Yunnan are not included in the collection,however,there are 17 poems written by Ding Wei in Yunnan Tongzhi,the collection of these poems outside the collection can further enrich the content of Ding Wei’s poetry creation in his life,and it is also of great value to study the poetry style of Ding Wei in his later years.The third chapter is based on the textual research of the person and the editions of the poems,to chronicle Ding Wei’s poems,only after the clear time of poem creation can we discuss the change of Ding Wei’s poetry creation style.Therefore,the fourth chapter returns to Ding Wei’s poetry creation itself,and on the basis of the analysis of his poetry collection edition,finds that his poetry style has the characteristics of gradually turning from fresh and elegant to vigorous and mature,on the one hand,the important reason for this change is that he gradually moved away from the center of literary creation and gradually got away from the influence of Wang Shizhen and other people,and became more personal.On the other hand,it is also caused by his increasing life experience and the change of mood caused by the ups and downs of officialdom.