Research On Aesthetic Characteristics Of Japanese Elegant Music

Japanese elegant music has been inherited as "ritual music" since ancient times,and still exists in Japanese society as "living fossil".In the era of world cultural integration,all countries are trying their best to protect their "intangible cultural wealth",while seeking cultural sharing.China and Japan are close to each other.Two countries’ many artists and researchers of music and dance met on a long river of history.There is no doubt that the preservation of "Tang music" represented by Zuo music in Japanese elegant music is a very precious gift for the folk music of the Tang Dynasty,which is lost in China.After Tang yanyue spread to Japan,it was absorbed and accepted by Japan and internalized into its own art form.Through understanding the national conditions of Japan and taking the Japanese religion as the starting point,this paper analyzes the dynamics of the left side dance of Japanese elegant music,in order to clarify the dance localization of Tang Yan music after entering Japan.In addition,by using the academic tools,I hope to contribute my humble power to the stage reappearance of Tang yanyue.This paper is divided into four parts.The first part is the introduction,which mainly explains the reason for choosing the topic,the definition of related topics,the current situation of research,the significance of research and so on.The second part of the text,in this part is mainly divided into four chapters.The first chapter is the analysis of the historical origin of Japanese music.On the one hand,through the analysis of the music and dance appearance and religious belief in the early stage of Japanese music,we can understand the social environment of the formation of Japanese music.On the other hand,clarify the detailed process of the absorption of Japanese music to the independence of the world.The second chapter is about the relationship between Japanese elegant music and Tang music and dance.Through body language to explore the implied aesthetic characteristics of Japanese elegant music,depict the dynamic of Tang music and dance,and analyze the differences between them,to cause the differences between Japanese elegant music and Tang music and dance.The third chapter is a detailed elaboration of the internalization process of Tang yanyue after it entered Japan.After its historical process of selection,absorption,digestion,reform,and finalization,it finally formed dynamics that were presented on the current stage.This paper seeks both Japanese and Chinese through the reference of ancient literature and existing academic materials Aesthetic symbols.In the fourth chapter,with the help of Kabuki,we find the intertextual relationship of art and analyze the form of the representative work of JapaneseYayue,the King of Lanling.Through body language,we state the characteristics of Japanese aesthetic culture.The third part of the conclusion,mainly based on the previous research,summarizes the aesthetic characteristics of Japanese music.This paper takes the Japanese elegant music as the research object,through the overall consideration of its aesthetic characteristics,explores the aesthetic characteristics of the Japanese nation,and analyzes and infers the historical appearance of the Tang Yan music.Its mountains and stones can be used to attack jade,which gives value to the practice of Tang music and dance art on the current stage.