Long-Tune Folk Songs Of Mongolian Are Gradually On Stage Research On Singing

The Mongolian traditional music is becoming more and more unique in the development of history.The long—tune folk songs of Mongolian,as a symbol part of Mongolian traditional musics,have a melodious and free rhythm,which shows the unique characteristic of our vast grassland.And the long—tune folk songs of Mongolian combine their feeling with the nature beauty,and reach the imagination of the integration of feeling and scenery,the harmony and unity of human and nature.Based on the history,this paper settles the process of being on the stage of long tune folk songs of Mongolian.The first chapter in the paper is divided into four parts below.They are individually the milestone stage of being on stage of long-tune folk songs(the early time of the People's Republic of China)and stage exploration and breaking stage of being on stage of long-tune folk songs(the "Cultural Revolution"),the development stage of being on stage of long-tune folk songs(the early time of reform and opening up)and the non-heritage stage of being on stage of long-tune folk songs(the non-heritage stage).The second,third and the fourth chapter are three specific cases,individually : starting from the artistic life of Boyindelger.She is the first person to bring long-tune folk songs of Mongolian to the world stage.This paper makes an analysis on the unique singing style and stage way of Baoyindelger from her long-tune art practice for many years.Then this paper makes another analysis on the changes brought by the space shifting of the stage to the singing of long-tune folk songs of Mongolian,as well as the influence on the generations later.Alatangqige is a successful case of the development of "vocalization" of long-tune folk songs.Next,this paper makes an analysis on her unique singing style,singing techniques,her age and her practice in the professional stage of long-tune folk songs.The fourth chapter starts from art starting of Qiqigre,the representative of the new generation of long-tune folk songs.As a member of Anda Group,Qiqigre has carried out diversified integration,coexistence and interaction on long-tune songs.Through her modern stage performance and bringing the long-tune songs of Mongolian to the international stage,this paper makes an analysis on the singing of the long-tune songs of Mongolian.The fourth chapter starts from art starting of Qiqigre,the representative of the new generation of long-tune folk songs.As a member of Anda Group,Qiqigre has carried out diversified integration,coexistence and interaction on long-tune songs.Through her modern stage performance and bringing the long-tune songs of Mongolian to the international stage,this paper makes an analysis on the singing of the long-tune songs of Mongolian.