The Reference Of The Singing Method Of The Mongolian Patriarchal Tune To The Singing Of The American Music

The study of Mongolian patriarchal tune is still in a stage of oral communication,mostly family inheritance and blood inheritance.This gives many students interested in Mongolian patriarchal tune,and sets up roadblocks in the process of learning.There are many experiences and skills in the singing of American music are connected with our Mongolian master tune.In contrast,the singing method of American music has been well integrated into the modern music system,and has been well protected and developed.However,the development of Mongolian patriarchal tune has been declining,and the inheritance situation is not optimistic.Because of the lack of good research and arrangement on Mongolian patriarchal tune,Mongolian patriarchal tune has not formed its own scientific theoretical system like the singing method of American vocation.Many valuable singing experiences disappear in the long history with the passage of time.As a warning for the future,the inheritance and development of every form of art cannot do without the reservation of traditional essence and the reference and absorption of foreign culture.This paper will start with my own experience of learning Mongolian patriarchal tune,and sort out the problems and difficulties encountered in the process of learning,in order to explain how to solve some problems in Mongolian Long Tune singing by the technical norms in the singing method of American vocation.The purpose of this paper is to help students who want to learn Mongolian patriarchal tune how to learn from the skills of the singing method of American vocation to better understand and learn the singing of Mongolian patriarchal tune.