Research On Aesthetic Transmission And Acceptance Of New Concept Indian Films In China

In recent years,Indian films have emerged in the Chinese market,and the box office has hit record highs.In 2018,there were 10 Indian movies on the Chinese circuit.The demand of Chinese audiences for Indian films is also gradually expanding,and these enthusiastically supported Indian films are basically in the category of "new concept Indian films".This article mainly analyzes the development status of the new concept Indian film in China through the aesthetic presentation and positive impact of the new concept Indian film introduced to China since the new century.Based on this,the literature is sorted and analyzed to obtain in conclusion.This article attempts to compare the importance and transcendence of film and television nationality in different countries through the new concept of Indian film development in China through a large amount of data analysis,summary and refinement of the film's artistic characteristics,and in-depth reflection on the meaning of film text This achieved self-examination of the national culture of Chinese films,and made new contributions to the improvement of the national cultural and artistic traditions and aesthetic awareness.The first chapter conveys the aesthetic concept of the new concept Indian film.The author firstly expounds the reasons for the formation of the new concept Indian film,and then gives a detailed overview of the artistic expression of the new concept Indian film and the traditional Bolly from the content and form.The similarities and differences between the dock movies,which describe the happiness and sadness experienced by the Indian people in an entertaining way,thus creating an emotional blend,which has a positive reference meaning for the improvement of Chinese film's artistic expression and promotes China The national identity of movies is fully demonstrated in the cultural context of film and television.The second chapter conveys the Rise and Acceptance of New Conceptual Indian Films in China.It mainly introduces the reasons for the rise of New Conceptual Indian films in China.It roughly summarizes the development of New Conceptual Indian films in China.It is based on the acceptance of aesthetic theories and theoretical connections.In fact,by studying the acceptance psychology and aestheticexpectations of Chinese audiences,a new concept of the successful development of Indian films in China is derived.The third chapter New Concepts Indian Films Inspire the Creation of Chinese Films,True Self-Communication is the most fundamental creative strategy of New Concepts Indian Films,it is a social bond,and Indian Films are integrated into the world in a “not belonging” manner Path.By establishing a unique national landscape,Indian films have built a more confident national image for India and reflected a more complete cultural value system through the development of the Indian film industry.Chinese filmmakers should be aware that what is behind the innovation story is the reconstruction of cultural values and the recognition of national innovation.Establishing national self-confidence through film and television works and promoting the reform of the film industry is an important way to promote the prosperity and development of Chinese film and television culture.The new concept Indian film is a national film that can truly maintain the core of the national culture.The text of the film is based on localized discourse expressions,and it firmly follows the path of spreading national culture.The research in this thesis also hopes that through this creative policy,it can provide a good learning template for current Chinese filmmakers,so that more film creators can actively think about the business that the innovation of film style can bring to the domestic film industry.Opportunities and cultural trends.