Body Schema And Stage Performance Of Lusheng Dance Of Lahu Nationality

The body is the perception of the body,and the initial form of the body's grasp of the world is "the intentionality of the body",which is an important concept of Merleau Ponty phenomenology.From the perspective of "perception subject",the body and the subject of perception,the world of being perceived and the space of the body are intermingled to establish their own meaning system,forming the intentionality of the body and the space of the situation.At the same time,the body is a space of practice and behavior.The body moves in its own structured and practical space.The body has its own practical task and survival investment.It needs the body schema to organize its own perceptual object in its own situation and create a specific meaning space.(1)Through recording,photographing,drawing,interviewing and consulting the data,this paper finds that the dance action of Lusheng dance of Lahu Nationality originates from the body experience of different cultures.Through the connection of the body,the space meaning given by the body is generated and understood in the transformation of the body.(2)Lusheng dance is the core attraction of old Dabao's stage performance.The stage performance of Lahu ethnic culture has become an effective way to promote the economic development and the spread and inheritance of ethnic culture in ethnic areas.Through the selection,design and development of cultural resources of laodabao village music town of Lahu nationality,the tourism products suitable for stage performance are selected,and the development strategies and cultural inheritance and innovation suitable for laodabao stage performance are explored.