A Comparative Study Of Three Production Versions Of Wagner's Opera Tristan And Isolde

In the history of the long opera,the relationship between the music and the drama has been the focus of the opera composer's attention and the important aspect of the composer's originality.In the context of the music,the artistic value and originality of the opera works are usually attributed to the composers.However,since the time of Wagner,accompanied by the obvious increase in the force of the "opera director" in the production of the opera,the artistic value and originality of the work are no longer attributed to the composers,but are largely shared by the opera director.In other words,in the twenty-first century,the relationship between music and drama is also an important issue in the production of opera.in a modern way It is more and more common to interpret opera classics with the production idea and means,which has become an important problem that can not be avoided in the practice of opera performance,opera criticism and opera acceptance history,which is worth thinking from the theoretical level.This paper intends to discuss the influence of opera production concept in opera acceptance by comparing the three versions of Wagner Opera Tristan and Isolde.The full text is divided into three chapters:The first chapter discusses the opera-making idea,which will deal with the drama elements in the opera,the drama of the music in the opera,the positional relationship between the stage design and the drama,and the important reference value of Apia for the stage design of Wagner's play.The research and carding of these problems can help us to grasp the difference between the common opera and the Wagner's opera.The second chapter is to analyze the three production versions of Wagner and Tristan,which will deal with the character differences of the main characters in the play,the disposition of the two important scenes of the death of the "Love's Demon Soup",and the relation between the stage design and the creation.The third chapter reflects on the theoretical problems caused by the modern production of opera,including the "present" significance of classical opera,the essence of stage music practice performance,the multi-interpretation of the meaning of works and so on.