The Space Application Of Director’s Creation In Postdramatisches Theater Context

With the development of market economy,the gate of Chinese drama culture is quietly opened.In particular,the introduction of the concept of “post-drama” provides a theoretical foundation for us to explore and learn other drama forms.Because the stage,occupied by characters,plots and narratives,changes with the social structure and the field of literature rebels the traditional drama mode,Alto,Brecht,Peter Brook and other dramatists start to conduct the attempt on “anti-imitation”,and break the only leadership position of realism,so that various theater forms begin to have their own development.After watching drama and learning theory for a period of time,the author finds that space becomes the important elements of contemporary director’s creation in the context of post-drama,and the use of space enriches the stage forms,the relationship between watching and acting and other theater orders,which let audience be liberated from a single visual angle.This paper can be divided into seven parts.The first part is the introduction,which conducts the elaboration and interpretation for what is the post-drama.The second part combines the whole thinking of the author’s work of “the perfect child” in the creation.The third part is the creation and concept of the theme of “the perfect child”.The fourth part combines the author’s creation and practice to briefly narrate the selection and application of author on space utilization in the creation.The fifth part combines the psychological factors to elaborate the psychological construction of“space” in the creation.The sixth part reflects on the other factors and problems in this drama experiment of integration of editing and directing.The seventh part is the conclusion,and it elaborates the author’s thinking of the present drama environment and future prospects.When dramatists marvel at foreign “their” expressions,author also starts to think about “our” problems.The author hopes this experimental attempt to open his own creative dimension and arouse people’s understanding of contemporary drama at the same time,especially the understanding of the concept of post-drama and exploration of stage space during the creation.